Metaforms – serie

Ancient Worlds in Film and Television

Gender and Politics

Fakes and Forgers of Classical Literature

Ergo decipiatur!

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600

Terence between Late Antiquity and the Age of Printing

Illustration, Commentary and Performance

Return to Troy

New Essays on the Hollywood Epic

Reception of Ancient Greece and Rome in Children’s Literature

Heroes and Eagles

Our Mythical Childhood... The Classics and Literature for Children and Young Adults

Reception of Aeschylus’ Plays through Shifting Models and Frontiers

Portrayals of Antigone in Portugal

20th and 21st Century Rewritings of the Antigone Myth

Reception of Ancient Virtues and Vices in Modern Popular Culture

Beauty, Bravery, Blood and Glory

Ancient Models in the Early Modern Republican Imagination

Building the Canon through the Classics

Imitation and Variation in Renaissance Italy (1350-1580)

Revenge, Agency, and Identity from European Drama to Asian Film

Agents of Vengeance

Antiquity and Enlightenment Culture

New Approaches and Perspectives

Herakles Inside and Outside the Church

From the first Apologists to the end of the Quattrocento

Framing Classical Reception Studies

Different Perspectives on a Developing Field

Exemplary Hercules from the Renaissance to the Enlightenment and Beyond

Modern Hercules

Images of the Hero from the Nineteenth to the Early Twenty-First Century

Ovid in China

Reception, Translation, and Comparison

Greek Mythic Heroines in Brazilian Literature and Performance

Hero's Life Choice. Studies on Heracles at the Crossroads, the Judgement of Paris, and Their Reception

‘Verbalising the Visual and Visualising the Verbal’

Re-embodying and Rethinking Greek and Roman Drama in Modern Times

Hercules Performed

The Hero on Stage from the Enlightenment to the Early Twenty-First Century