Giulia Torello-Hill (PhD Nottingham, 2006) is a Fellow at the University of Queensland. She has published on Greek Old Comedy and on the reception of ancient drama in the Italian Renaissance, and is now (with Andrew Turner) investigating humanist interpretations of classical dramatic theories for the Australian Research Council.Andrew J. Turner (PhD Melbourne, 2000) is a Fellow at Melbourne University, where he teaches Latin. He has published on the reception of Terence and Sallust, and jointly edited a DVD-facsimile of an illustrated Terence manuscript with Bernard Muir.Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa.

• ContentsPreliminary MatterPrefaceList of FiguresList of AbbreviationsList of ContributorsChapter 1: IntroductionText and ImagesChapter 2:Bernard J. Muir, “Terence’s Comedies: Development, Transmission, and Transformation”Chapter 3:Beatrice Radden-Keefe, “Illustrating the Manuscripts of Terence”Chapter 4:James H. Kim On Chong-Gossard, “Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus”ScholarshipChapter 5:Salvatore Monda, “Terence Quotations in Latin Grammarians: Shared and Distinguishing Features”Chapter 6:Andrew J. Turner, “Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899”Text and PerformanceChapter 7:Chrysanthi Demetriou, “Donatus’ Commentary: The Reception of Terence’s Performance”Chapter 8:Gianni Guastella, “Ornatu prologi: Terence’s Prologues on the Stage/on the Page”Chapter 9:Giulia Torello-Hill, “The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage”ReadershipsChapter 10:Claudia Villa, “Terence’s Audience and Readership in the Ninth to Eleventh Centuries”Bibliography

Giulia Torello-Hill (PhD Nottingham, 2006) is a Fellow at the University of Queensland. She has published on Greek Old Comedy and on the reception of ancient drama in the Italian Renaissance, and is now (with Andrew Turner) investigating humanist interpretations of classical dramatic theories for the Australian Research Council.Andrew J. Turner (PhD Melbourne, 2000) is a Fellow at Melbourne University, where he teaches Latin. He has published on the reception of Terence and Sallust, and jointly edited a DVD-facsimile of an illustrated Terence manuscript with Bernard Muir.Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa.

• ContentsPreliminary MatterPrefaceList of FiguresList of AbbreviationsList of ContributorsChapter 1: IntroductionText and ImagesChapter 2:Bernard J. Muir, “Terence’s Comedies: Development, Transmission, and Transformation”Chapter 3:Beatrice Radden-Keefe, “Illustrating the Manuscripts of Terence”Chapter 4:James H. Kim On Chong-Gossard, “Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus”ScholarshipChapter 5:Salvatore Monda, “Terence Quotations in Latin Grammarians: Shared and Distinguishing Features”Chapter 6:Andrew J. Turner, “Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899”Text and PerformanceChapter 7:Chrysanthi Demetriou, “Donatus’ Commentary: The Reception of Terence’s Performance”Chapter 8:Gianni Guastella, “Ornatu prologi: Terence’s Prologues on the Stage/on the Page”Chapter 9:Giulia Torello-Hill, “The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage”ReadershipsChapter 10:Claudia Villa, “Terence’s Audience and Readership in the Ninth to Eleventh Centuries”Bibliography

Giulia Torello-Hill (PhD Nottingham, 2006) is a Fellow at the University of Queensland. She has published on Greek Old Comedy and on the reception of ancient drama in the Italian Renaissance, and is now (with Andrew Turner) investigating humanist interpretations of classical dramatic theories for the Australian Research Council.Andrew J. Turner (PhD Melbourne, 2000) is a Fellow at Melbourne University, where he teaches Latin. He has published on the reception of Terence and Sallust, and jointly edited a DVD-facsimile of an illustrated Terence manuscript with Bernard Muir.Contributors are: James H. Kim On Chong-Gossard, Chrysanthi Demetriou, Gianni Guastella, Salvatore Monda, Bernard J. Muir, Beatrice Radden Keefe, Giulia Torello-Hill, Andrew J. Turner and Claudia Villa.

• ContentsPreliminary MatterPrefaceList of FiguresList of AbbreviationsList of ContributorsChapter 1: IntroductionText and ImagesChapter 2:Bernard J. Muir, “Terence’s Comedies: Development, Transmission, and Transformation”Chapter 3:Beatrice Radden-Keefe, “Illustrating the Manuscripts of Terence”Chapter 4:James H. Kim On Chong-Gossard, “Thais Walks the German Streets: Text, Gloss, and Illustration in Neidhart’s 1486 German Edition of Terence’s Eunuchus”ScholarshipChapter 5:Salvatore Monda, “Terence Quotations in Latin Grammarians: Shared and Distinguishing Features”Chapter 6:Andrew J. Turner, “Problems with the Terence Commentary Traditions: The Oedipus Scholion in BnF, lat. 7899”Text and PerformanceChapter 7:Chrysanthi Demetriou, “Donatus’ Commentary: The Reception of Terence’s Performance”Chapter 8:Gianni Guastella, “Ornatu prologi: Terence’s Prologues on the Stage/on the Page”Chapter 9:Giulia Torello-Hill, “The Revival of Classical Roman Comedy in Renaissance Ferrara: From the Scriptorium to the Stage”ReadershipsChapter 10:Claudia Villa, “Terence’s Audience and Readership in the Ninth to Eleventh Centuries”Bibliography