Lúcia Nagib – författare

The Moving Form of Film

Historicising the Medium through Other Media

The Moving Form of Film

Historicising the Medium through Other Media

Realist Cinema as World Cinema

Non-cinema, Intermedial Passages, Total Cinema

New Generation in Chinese Animation

Pablo Trapero and the Politics of Violence

Noël Carroll and Film

A Philosophy of Art and Popular Culture

Robert Pippin and Film

Politics, Ethics, and Psychology after Modernism

Stanley Cavell and Film

Scepticism and Self-Reliance at the Cinema

Roland Barthes and Film

Myth, Eroticism and Poetics

Georges Didi-Huberman and Film

The Politics of the Image

Ethics and Aesthetics in Contemporary African Cinema

The Politics of Beauty

Eastern Approaches to Western Film

Asian Reception and Aesthetics in Cinema

Brazilian Cinema and the Aesthetics of Ruins

Popular Ethiopian Cinema

Love and Other Genres

Spanish Fantastic

Contemporary Filmmaking in Horror, Fantasy and Sci-fi

Realism in Greek Cinema

From the Post-War Period to the Present

Judith Butler and Film

The Good Egalitarian, the Bad Feminist and the Ugly Others

There's No Place Like Home

The Migrant Child in World Cinema

Pablo Trapero and the Politics of Violence

Robert Pippin and Film

Politics, Ethics, and Psychology after Modernism

Cinema of Jia Zhangke

Realism and Memory in Chinese Film

Cinema and the Indian National Emergency

Histories and Afterlives

Cinema and the Indian National Emergency

Histories and Afterlives

Japanese Cinema and Punk

Intermedial Exchanges

Japanese Cinema and Punk

Intermedial Exchanges

Bollypolitics

Popular Hindi Cinema and Hindutva

Bollypolitics

Popular Hindi Cinema and Hindutva

Weimar Slapstick and Hollywood Comedy Transformed

Brazilian Cinema and the Aesthetics of Ruins