The Moving Form of Film

Historicising the Medium through Other Media

Inbunden, Engelska, 2023

AvLúcia Nagib,Stefan Solomon,University of Reading) Nagib, Lucia (Professor of Film, Professor of Film,Macquarie University) Solomon, Stefan (Senior Lecturer in Media Studies, Senior Lecturer in Media Studies

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The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history. Evolutionary narratives of cinema have traditionally adopted the Second World War as a watershed that separates 'classical' Hollywood films from 'modern' European productions, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these approaches, this book focuses on the fluid quality of the film form by exploring an array of exciting and often neglected artistic expressions worldwide as they compare and interconnect films across temporal, geographical, and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, the chapters aspire to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium.

Produktinformation

Utgivningsdatum2023-06-27
Mått235 x 156 x 23 mm
Vikt608 g
FormatInbunden
SpråkEngelska
Antal sidor340
FörlagOUP USA
ISBN9780197621707

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Table of ContentsList of IllustrationsContributorsAcknowledgementsIntroduction - Stefan Solomon and Lúcia NagibPart I - Methodologies1. Hegel, Cinema and the Other Arts Alain Badiou2. One-Dimensional Man? A Reply to Alain Badiou James Hellings3. Hybrid Variations on an Intermedial ThemeRobert Stam4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark Mark PlayerPart II - Technologies and Environments5. Intermediality and the Carousel Slide Projector Julian Ross6. Up the Junction, Intermediality and Social Change Sarah Street7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-CinemaIsmail Xavier8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca9. Elemental Intermedia Stefan SolomonPart III - National and Regional Phenomena10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil Luciana Corrêa de Araújo 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí Albert Elduque12. Impurity and Identification: Historicising Chinese Cinema through the Opera Cecília Mello13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 Lúcia Nagib Part IV - Intermedial Artists 14. Stephen Dwoskin, an Intermedial Artist Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue15. Intermedial Voices: Intersections in feminist sound and moving image Claire M. Holdsworth16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son Jonathan Bignell17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy Fátima ChinitaIndex

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The Moving Form of Film

Lúcia Nagib, Stefan Solomon, University of Reading) Nagib, Lucia (Professor of Film, Professor of Film, Macquarie University) Solomon, Stefan (Senior Lecturer in Media Studies, Senior Lecturer in Media Studies

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