Lúcia Nagib is Professor of Film at the University of Reading.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University

• Table of Contents List of IllustrationsContributorsAcknowledgementsIntroduction - Stefan Solomon and Lúcia Nagib Part I - Methodologies1. Hegel, Cinema and the Other Arts Alain Badiou2. One-Dimensional Man? A Reply to Alain Badiou James Hellings3. Hybrid Variations on an Intermedial ThemeRobert Stam4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark Mark Player Part II - Technologies and Environments5. Intermediality and the Carousel Slide Projector Julian Ross6. Up the Junction, Intermediality and Social Change Sarah Street7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-CinemaIsmail Xavier8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca9. Elemental Intermedia Stefan Solomon Part III - National and Regional Phenomena10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil Luciana Corrêa de Araújo 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí Albert Elduque12. Impurity and Identification: Historicising Chinese Cinema through the Opera Cecília Mello13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 Lúcia Nagib Part IV - Intermedial Artists 14. Stephen Dwoskin, an Intermedial Artist Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue15. Intermedial Voices: Intersections in feminist sound and moving image Claire M. Holdsworth16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son Jonathan Bignell17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy Fátima Chinita Index

This is a truly remarkable volume, not just on account of its list of distinguished contributors. Using intermediality as its method, this collection manages to establish this most precious of balance: a study of film form that never loses sight of the medium's historicity. Naguib and Solomon's book literally brims with useful theorizations and concepts.

Lúcia Nagib is Professor of Film at the University of Reading.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University

• Table of Contents List of IllustrationsContributorsAcknowledgementsIntroduction - Stefan Solomon and Lúcia Nagib Part I - Methodologies1. Hegel, Cinema and the Other Arts Alain Badiou2. One-Dimensional Man? A Reply to Alain Badiou James Hellings3. Hybrid Variations on an Intermedial ThemeRobert Stam4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark Mark Player Part II - Technologies and Environments5. Intermediality and the Carousel Slide Projector Julian Ross6. Up the Junction, Intermediality and Social Change Sarah Street7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-CinemaIsmail Xavier8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca9. Elemental Intermedia Stefan Solomon Part III - National and Regional Phenomena10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil Luciana Corrêa de Araújo 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí Albert Elduque12. Impurity and Identification: Historicising Chinese Cinema through the Opera Cecília Mello13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 Lúcia Nagib Part IV - Intermedial Artists 14. Stephen Dwoskin, an Intermedial Artist Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue15. Intermedial Voices: Intersections in feminist sound and moving image Claire M. Holdsworth16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son Jonathan Bignell17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy Fátima Chinita Index

This is a truly remarkable volume, not just on account of its list of distinguished contributors. Using intermediality as its method, this collection manages to establish this most precious of balance: a study of film form that never loses sight of the medium's historicity. Naguib and Solomon's book literally brims with useful theorizations and concepts.

Lúcia Nagib is Professor of Film at the University of Reading.Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University

• Table of Contents List of IllustrationsContributorsAcknowledgementsIntroduction - Stefan Solomon and Lúcia Nagib Part I - Methodologies1. Hegel, Cinema and the Other Arts Alain Badiou2. One-Dimensional Man? A Reply to Alain Badiou James Hellings3. Hybrid Variations on an Intermedial ThemeRobert Stam4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark Mark Player Part II - Technologies and Environments5. Intermediality and the Carousel Slide Projector Julian Ross6. Up the Junction, Intermediality and Social Change Sarah Street7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-CinemaIsmail Xavier8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca9. Elemental Intermedia Stefan Solomon Part III - National and Regional Phenomena10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil Luciana Corrêa de Araújo 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí Albert Elduque12. Impurity and Identification: Historicising Chinese Cinema through the Opera Cecília Mello13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 Lúcia Nagib Part IV - Intermedial Artists 14. Stephen Dwoskin, an Intermedial Artist Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue15. Intermedial Voices: Intersections in feminist sound and moving image Claire M. Holdsworth16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son Jonathan Bignell17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy Fátima Chinita Index

This is a truly remarkable volume, not just on account of its list of distinguished contributors. Using intermediality as its method, this collection manages to establish this most precious of balance: a study of film form that never loses sight of the medium's historicity. Naguib and Solomon's book literally brims with useful theorizations and concepts.