Royal Musical Association Monographs – serie

Pre-history of ‘The Midsummer Marriage’

Narratives and Speculations

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London

Disinformation in Mass Media

Gluck, Piccinni and the Journal de Paris

Disinformation in Mass Media

Gluck, Piccinni and the Journal de Paris

Upper-Voice Structures and Compositional Process in the Ars Nova Motet

Magister Jacobus de Ispania, Author of the Speculum musicae

'Ars musica' Attributed to Magister Lambertus/Aristoteles

Cyclic Mass

Anglo-Continental Exchange in the Fifteenth Century

Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre

Mattheson’s Universal Style in Theory and Practice

Politics of Verdi's Cantica

Music Theory in Late Medieval Avignon

Magister Johannes Pipardi

Music Theory in Late Medieval Avignon

Magister Johannes Pipardi

Pre-history of ‘The Midsummer Marriage’

Narratives and Speculations

Towards a Harmonic Grammar of Grieg's Late Piano Music

Nature and Nationalism

Genesis and Development of an English Organ Sonata

Regulation and Reform of Music Criticism in Nineteenth-Century England

Repetition in Music

Theoretical and Metatheoretical Perspectives

Salomon and the Burneys

Private Patronage and a Public Career

'To fill, forbear, or adorne'

The Organ Accompaniment of Restoration Sacred Music

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164–167

Bartók and the Grotesque

Studies in Modernity, the Body and Contradiction in Music

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Sacred Repertories in Paris under Louis XIII

Paris, Bibliothèque nationale de France, MS Vma rés. 571

Playing on Words

A Guide to Luciano Berio's Sinfonia

Oratorio in Venice

Music for Treviso Cathedral in the Late Sixteenth Century

A Reconstruction of the Lost Manuscripts 29 and 30

Breath of the Symphonist

Shostakovich's Tenth

Song of the Soul

Understanding Poppea