Performance Philosophy – serie

Embodied Philosophy in Dance

Gaga and Ohad Naharin's Movement Research

Performance and Temporalisation

Time Happens

Žižek and Performance

Adorno and Performance

Choreographing Problems

Expressive Concepts in Contemporary Dance and Performance

Encounters in Performance Philosophy

Theatre of Death – The Uncanny in Mimesis

Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor

Performance Studies and Negative Epistemology

Performance Apophatics

Framing Uncertainty

Computer Game Epistemologies

Actors and the Art of Performance

Under Exposure

Embodied Philosophy in Dance

Gaga and Ohad Naharin's Movement Research

Performance and Temporalisation

Time Happens

Žižek and Performance

Adorno and Performance

Encounters in Performance Philosophy

Choreographing Problems

Expressive Concepts in Contemporary Dance and Performance

Theatre of Death – The Uncanny in Mimesis

Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor

Performing Antagonism

Theatre, Performance & Radical Democracy

Inter Views in Performance Philosophy

Crossings and Conversations

Performing Antagonism

Theatre, Performance & Radical Democracy

Inter Views in Performance Philosophy

Crossings and Conversations

Experiments in Listening

Critical Introduction to Salomo Friedlaender/Mynona

Twentieth-Century Performance Philosopher

From Heidegger to Performance

Wittgenstein and Performance

Enduramorphosis

Performance as Transformation through Endurance

Philosophical Autofiction

Dolor's Youth

Beckett, Deleuze and Performance

A Thousand Failures and A Thousand Inventions

Theatricality and Performativity

Writings on Texture from Plato’s Cave to Urban Activism