Performance and Temporalisation

Richard James Allen, The Physical TV Company, Australia John Di Stefano, University of Sydney, Australia Stuart Grant, Monash University, Australia Dorita Hannah, Aalto University, Helsinki, Finland Barry Laing, Monash University, Australia Alphonso Lingis, Pennsylvania State University, USA Gemma Loving-Hutchins, Independent Researcher, New Zealand Jeff Malpas, University of Tasmania, Tasmania Erin Manning, Concordia University, Canada Jodie McNeilly, Australian Catholic University, Melbourne, Australia Adrian Martin, Goethe University, Germany Brian Massumi, University of Montreal, Canada Ian Maxwell, University of Sydney, Australia Jack Reynolds, Deakin University, Australia Karen Pearlman, Macquarie University, Australia Lanei Rodemeyer, Duquesne University, USA Yuji Sone, Macquarie University in Australia Jeff Stewart, Independent Artist, Australia Maeva Veerapen, University of Mauritius, Mauritius Amanda Yates, Auckland University of Technology, New Zealand

• Introduction PART I: WORLD - SPACE - PLACE 1. Timing Space - Spacing Time; Jeff Malpas 2. Situated structures; Amanda Yates and Gemma Loving-Hutchins 3. Suspended Moments; John Di Stefano and Dorita Hannah 4. My Big Fat Greek Baptism; Ian Maxwell 5. A Shared Meal; Jeff Stewart PART II: SELF - MOVEMENT - BODY 6. The Crannies of the Present; Brian Massumi 7. Time Out of Joint; Jack Reynolds 8. Three Propositions for a Movement of Thought; Erin Manning 9. The Body in Time/Time in the Body; Lanei Rodemeyer 10. A Moment of Creation; Maeva Veerapen PART III: IMAGE - PERFORMANCE - TECHNOLOGY 11. Temporalising Digital Performance; Jodie McNeilly 12. Entanglement Theory Karen Pearlman and Richard James Allen 13. A Certain Dark Corner of Modern Cinema; Adrian Martin 14. Cyclic Repetition And Transferred Temporalities; Yuji Sone 15. Labours of Love; Barry Laing PART IV: APOTHEOSIS 16. Heidegger's Augenblick as the Moment of the Performance; Stuart Grant 17. Caves; Alphonso Lingis Index

“Performance and Temporalisation is a diverse collection of essays united by the investigation of moments when time takes shape. … it presents a unique contribution to academic and artistic discourse in the performing arts, theatre history, and performance, film, and media studies.” (Maria Katharina Schmidt, Public, Vol. 54, 2016)