Elements in Musical Theatre – serie

Kickstarting Italian Opera in the Andes

The 1840s and the First Opera Companies

The Revue in Twentieth-Century Budapest

From Cosmopolitan Night-Clubs to Stalinist Dogma

The Rebirth of Satire in Revivals of European Operettas

Singing Zarzuela, 1896-1958

Approaching Portamento and Musical Expression through Historical Recordings

Singing Zarzuela, 1896-1958

Approaching Portamento and Musical Expression through Historical Recordings

The Revue in Twentieth-Century Budapest

From Cosmopolitan Night-Clubs to Stalinist Dogma

Gypsy and the Broadway Musical Madwoman

A Feminist Analysis

Gypsy and the Broadway Musical Madwoman

A Feminist Analysis

The Rebirth of Satire in Revivals of European Operettas

Between Speech and Song

Aspects of Hybrid Voice in Twentieth-Century German Opera

Between Speech and Song

Aspects of Hybrid Voice in Twentieth-Century German Opera

A Huge Revolution of Theatrical Commerce

Walter Mocchi and the Italian Musical Theatre Business in South America

"Why Aren't They Talking?"

The Sung-Through Musical from the 1980s to the 2010s

The Empire at the Opéra

Theatre, Power and Music in Second Empire Paris

West Side Story in Spain

The Transcultural Adaptation of an Iconic American Show