Mark Everist – författare

Mozart's Ghosts

Haunting the Halls of Musical Culture

Genealogies of Music and Memory

Gluck in the 19th-Century Parisian Imagination

Opéra de salon

Parisian Societies and Spaces in the Second Empire

Opera in Paris from the Empire to the Commune

Music Drama at the Paris Odeon, 1824-1828

Analytical Strategies and Musical Interpretation

Essays on Nineteenth- and Twentieth-Century Music

The Cambridge Companion to Medieval Music

French Motets in the Thirteenth Century

Music, Poetry and Genre

The Cambridge Companion to Medieval Music

Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris

Discovering Medieval Song

Latin Poetry and Music in the Conductus

Cambridge History of Medieval Music: Volume 2

Discovering Medieval Song

Latin Poetry and Music in the Conductus

Cambridge History of Medieval Music

The Empire at the Opéra

Theatre, Power and Music in Second Empire Paris

Opera in Paris from the Empire to the Commune

Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris

Genre and the Production of Gendered Identity on the Lyric Stage