Edinburgh Studies in Film and Intermediality – serie

Sense of Film Narration

Romantics and Modernists in British Cinema

Framing Pictures

Film and the Visual Arts

Thinking Outside the Black Box

Encounters with Artistic Moving Images

American Independent Cinema

Rites of Passage and the Crisis Image

Drawn from Life

Issues and Themes in Animated Documentary Cinema

Theatre Through the Camera Eye

The Poetics of an Intermedial Encounter

Feel-Bad Film

Feel-Bad Film

Screens and Illusionism

Alternative Teleologies of Mediation

Screens and Illusionism

Alternative Teleologies of Mediation

Velvet Curtains and Gilded Frames

The Art of Early European Cinema

Images of Unrest

Documentary Film and Political Violence

Sense of Film Narration

Incurable-Image

Curating Post-Mexican Film and Media Arts

Screen Presence

Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon

Velvet Curtains and Gilded Frames

The Art of Early European Cinema

Indefinite Visions

Cinema and the Attractions of Uncertainty

Indefinite Visions

Cinema and the Attractions of Uncertainty

Intermedial Dialogues

The French New Wave and the Other Arts

Screening Statues

Sculpture and Cinema

Museum as a Cinematic Space

The Display of Moving Images in Exhibitions

American Independent Cinema

Second Edition

Straight Girls and Queer Guys

The Hetero Media Gaze in Film and Television

Incurable-Image

Curating Post-Mexican Film and Media Arts

Global Migrations

The Scottish Diaspora since 1600

Screening Statues

Sculpture and Cinema

Drawn from Life

Issues and Themes in Animated Documentary Cinema

Caught In-Between

Intermediality in Contemporary Eastern European and Russian Cinema