Stephen Monteiro is Associate Professor of Global Communications at the American University of Paris.

• List of Illustrations; Acknowledgements; Introduction: Cinema’s Grey Spaces; Chapter 1: A Wider Audience: Robert Rauschenberg, the White Paintings, and CinemaScope; Chapter 2: The Screen Scene: Andy Warhol, the Factory, and Home Movies; Chapter 3: Private Dis-Pleasures: Mona Hatoum, Mediated Bodies, and the Peep Show; Chapter 4: A Monument in Ruins: Douglas Gordon, Screen Archaeology, and the Drive-in; Conclusion

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Stephen Monteiro is Associate Professor of Global Communications at the American University of Paris.

• List of Illustrations; Acknowledgements; Introduction: Cinema’s Grey Spaces; Chapter 1: A Wider Audience: Robert Rauschenberg, the White Paintings, and CinemaScope; Chapter 2: The Screen Scene: Andy Warhol, the Factory, and Home Movies; Chapter 3: Private Dis-Pleasures: Mona Hatoum, Mediated Bodies, and the Peep Show; Chapter 4: A Monument in Ruins: Douglas Gordon, Screen Archaeology, and the Drive-in; Conclusion

Select Guide Rating

Stephen Monteiro is Associate Professor of Global Communications at the American University of Paris.

• List of Illustrations; Acknowledgements; Introduction: Cinema’s Grey Spaces; Chapter 1: A Wider Audience: Robert Rauschenberg, the White Paintings, and CinemaScope; Chapter 2: The Screen Scene: Andy Warhol, the Factory, and Home Movies; Chapter 3: Private Dis-Pleasures: Mona Hatoum, Mediated Bodies, and the Peep Show; Chapter 4: A Monument in Ruins: Douglas Gordon, Screen Archaeology, and the Drive-in; Conclusion

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