Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image

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Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image

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Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image

Select Guide Rating