Marsha Meskimmon – författare

Women Making Art

History, Subjectivity, Aesthetics

Women Making Art

History, Subjectivity, Aesthetics

Contemporary Art and the Cosmopolitan Imagination

Contemporary Art and the Cosmopolitan Imagination

We Weren't Modern Enough: Women Artists and the Limits of German Modernism Volume 25

Women, the Arts and Globalization

Eccentric Experience

Women, the Arts and Globalization

Eccentric Experience

Transnational Feminisms, Transversal Politics and Art

Entanglements and Intersections

Transnational Feminisms, Transversal Politics and Art

Entanglements and Intersections

Transnational Feminisms and Art’s Transhemispheric Histories

Ecologies and Genealogies

Transnational Feminisms and Art’s Transhemispheric Histories

Ecologies and Genealogies

Art, Borders and Belonging

On Home and Migration

Art, Borders and Belonging

On Home and Migration

Reportage Drawing

Vision and Experience

Reportage Drawing

Vision and Experience

Anatomical Drawing

A Scenographic Intersection Between Science, the Visual Arts and Performance

Performance Drawing

New Practices since 1945

Drawing and the Imaginary of Place

Time, Scale, Site and Narrative

Drawing and the Imaginary of Place

Time, Scale, Site and Narrative

Drawing Analogies

Diagrams in Art, Theory and Practice

Bodies and Space in Architectural Drawing

Line, Movement and Scale

Drawing Investigations

Graphic Relationships with Science, Culture and Environment

Drawing Music, Marking Time

The design, structure and impact of musical notation

Scenographic Design Drawing

Performative Drawing in an Expanded Field

Practice of Pleasure

Joanna Frueh's Performances and Writings, 2005–2011

Practice of Pleasure

Joanna Frueh's Performances and Writings, 2005–2011

Home/Land

Women, Citizenship, Photographies

Drawing Difference

Connections Between Gender and Drawing