Women, the Arts and Globalization

Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University|Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol

• Editorial introduction: Ec/centric affinities: Locations, aesthetics, experiences –Marsha Meskimmon and Dorothy Rowe 1 Gendering the multitude: feminist politics, globalisation and art history – Angela Dimitrakaki 2 Women, art, migration and diaspora: The turn to art in the social sciences and the ‘new’ sociology of art? – Maggie O’Neill 3 Finding a different way home – Misha Myers in conversation with Tracey Warr 4 On foreign discomfort: Magdalena makeup live art event – Lena Simic 5 ‘How we live today …’ – Florence Ayisi in dialogue with Mo White 6 Here, there and in-between: South African women and the diasporic condition – Marion Arnold 7 Image-making with Jeanne Duval in mind: Photoworks by Maud Sulter, 1989-2002 – Deborah Cherry 8 Alison Lapper Pregnant: Embodied geographies, post-imperial identities and public sculpture in London’s Trafalgar Square – Rosemary Betterton 9 Diasporic unwrappings – Lubaina Himid in conversation with Jane Beckett 10 A Burd’s eye view: Paula Rego’s Abortion series – Michele Waugh 11 Testing the limits: Oreet Ashery in conversation with Dorothy Rowe Index