Griselda Pollock - Böcker

Killing Men & Dying Women

Imagining Difference in 1950s New York Painting

Charlotte Salomon and the Theatre of Memory

Differencing the Canon

Feminism and the Writing of Art's Histories

Differencing the Canon

Feminism and the Writing of Art's Histories

Generations and Geographies in the Visual Arts: Feminist Readings

Generations and Geographies in the Visual Arts: Feminist Readings

Vision and Difference

Feminism, Femininity and Histories of Art

Encounters in the Virtual Feminist Museum

Time, Space and the Archive

Encounters in the Virtual Feminist Museum

Time, Space and the Archive

Griselda Pollock on Gauguin

Mary Cassatt

Painter of Modern Women

After-Affects | After-Images

Trauma and Aesthetic Transformation in the Virtual Feminist Museum

After-Affects | After-Images

Trauma and Aesthetic Transformation in the Virtual Feminist Museum

Concentrationary Cinema

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Old Mistresses

Vision and Difference

Feminism, Femininity and Histories of Art

Work and the Image

Volume 1: Work, Craft and Labour - Visual Representations in Changing Histories

Work and the Image

Volume 1: Work, Craft and Labour - Visual Representations in Changing Histories

Work and the Image

Volume 2: Work in Modern Times - Visual Mediations and Social Processes

Work and the Image

Volume 2: Work in Modern Times - Visual Mediations and Social Processes

Old Mistresses

Women, Art and Ideology

Concentrationary Memories

Totalitarian Terror and Cultural Resistance

Concentrationary Imaginaries

Tracing Totalitarian Violence in Popular Culture

Psychoanalysis and the Image

Transdisciplinary Perspectives

Psychoanalysis and the Image

Transdisciplinary Perspectives

Museums After Modernism

Strategies of Engagement

Museums After Modernism

Strategies of Engagement

Killing Men & Dying Women

Imagining Difference in 1950s New York Painting

Visual Politics of Psychoanalysis

Art and the Image in Post-traumatic Cultures