Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Her books include Vision and Difference (1988/2003), Encounters in the Virtual Feminist Museum (2007) and After-affects / After- Image: Trauma and Aesthetic Transformation (2013). She is series editor of New Encounters, editor of Conceptual Odysseys (2007) and co-editor with Antony Bryant of Digital and Other Virtualities (2010), as well as two other volumes, all for I.B.Tauris. With Max Silverman she is series editor of Concentrationary Memory for I.B.Tauris which includes Concentrationary Memories (2013), while Concentrationary Imaginaries is forthcoming.

• List of IllustrationsAcknowledgementsSeries Editor’s Preface: New Encounters: Arts, Cultures, Concepts Griselda Pollock Introduction: Visual Politics and PsychoanalysesGriselda Pollock I National Wounds and Contested Memory1 Contest-Nation: Denmark– A PSTD-Struck Nation Contesting AnalysisHenrik Ole Holm2 Miniature Objects of Cultural Covenant: Transition and Translation in British North AmericaKristin Huneault 3 The Irish ’Holocaust” and the Commemoration of FamineEmily FitzGerald II Trauma and Allegory4 Courbet’s Trauerspiel: Trouble with Women in the StudioJennifer Tennant Jackson 5 Astonishing Marine Living: Ellen Gallagher at the Freud MuseumSuzanna Chan III Fear and Surveillance6 Transfixed: The Expression of Emotion as a History of ImagesSharon Sliwinski 7 Dan Graham, Reality Television and the Society of SurveillancePaula Carabell IV Violence and Sexual Difference8 Towards an Iconomy of Violence: Julia Kristeva in the Between of Ethics and PoliticsMaria Margaroni 9 From Horrorism to Compassion: Re-facing Medusan Otherness in dialogue with Adriana Cavarero and Bracha EttingerGriselda Pollock 10 Encountering Blue Steel: Changing Tempers in CinemaNicholas Chare Contributors’ BiographiesBibliographyIndex

Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Her books include Vision and Difference (1988/2003), Encounters in the Virtual Feminist Museum (2007) and After-affects / After- Image: Trauma and Aesthetic Transformation (2013). She is series editor of New Encounters, editor of Conceptual Odysseys (2007) and co-editor with Antony Bryant of Digital and Other Virtualities (2010), as well as two other volumes, all for I.B.Tauris. With Max Silverman she is series editor of Concentrationary Memory for I.B.Tauris which includes Concentrationary Memories (2013), while Concentrationary Imaginaries is forthcoming.

• List of IllustrationsAcknowledgementsSeries Editor’s Preface: New Encounters: Arts, Cultures, Concepts Griselda Pollock Introduction: Visual Politics and PsychoanalysesGriselda Pollock I National Wounds and Contested Memory1 Contest-Nation: Denmark– A PSTD-Struck Nation Contesting AnalysisHenrik Ole Holm2 Miniature Objects of Cultural Covenant: Transition and Translation in British North AmericaKristin Huneault 3 The Irish ’Holocaust” and the Commemoration of FamineEmily FitzGerald II Trauma and Allegory4 Courbet’s Trauerspiel: Trouble with Women in the StudioJennifer Tennant Jackson 5 Astonishing Marine Living: Ellen Gallagher at the Freud MuseumSuzanna Chan III Fear and Surveillance6 Transfixed: The Expression of Emotion as a History of ImagesSharon Sliwinski 7 Dan Graham, Reality Television and the Society of SurveillancePaula Carabell IV Violence and Sexual Difference8 Towards an Iconomy of Violence: Julia Kristeva in the Between of Ethics and PoliticsMaria Margaroni 9 From Horrorism to Compassion: Re-facing Medusan Otherness in dialogue with Adriana Cavarero and Bracha EttingerGriselda Pollock 10 Encountering Blue Steel: Changing Tempers in CinemaNicholas Chare Contributors’ BiographiesBibliographyIndex

Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Her books include Vision and Difference (1988/2003), Encounters in the Virtual Feminist Museum (2007) and After-affects / After- Image: Trauma and Aesthetic Transformation (2013). She is series editor of New Encounters, editor of Conceptual Odysseys (2007) and co-editor with Antony Bryant of Digital and Other Virtualities (2010), as well as two other volumes, all for I.B.Tauris. With Max Silverman she is series editor of Concentrationary Memory for I.B.Tauris which includes Concentrationary Memories (2013), while Concentrationary Imaginaries is forthcoming.

• List of IllustrationsAcknowledgementsSeries Editor’s Preface: New Encounters: Arts, Cultures, Concepts Griselda Pollock Introduction: Visual Politics and PsychoanalysesGriselda Pollock I National Wounds and Contested Memory1 Contest-Nation: Denmark– A PSTD-Struck Nation Contesting AnalysisHenrik Ole Holm2 Miniature Objects of Cultural Covenant: Transition and Translation in British North AmericaKristin Huneault 3 The Irish ’Holocaust” and the Commemoration of FamineEmily FitzGerald II Trauma and Allegory4 Courbet’s Trauerspiel: Trouble with Women in the StudioJennifer Tennant Jackson 5 Astonishing Marine Living: Ellen Gallagher at the Freud MuseumSuzanna Chan III Fear and Surveillance6 Transfixed: The Expression of Emotion as a History of ImagesSharon Sliwinski 7 Dan Graham, Reality Television and the Society of SurveillancePaula Carabell IV Violence and Sexual Difference8 Towards an Iconomy of Violence: Julia Kristeva in the Between of Ethics and PoliticsMaria Margaroni 9 From Horrorism to Compassion: Re-facing Medusan Otherness in dialogue with Adriana Cavarero and Bracha EttingerGriselda Pollock 10 Encountering Blue Steel: Changing Tempers in CinemaNicholas Chare Contributors’ BiographiesBibliographyIndex