Enoch Brater – författare

Beyond Minimalism

Beckett's Late Style in the Theater

The Drama in the Text

Beckett's Late Fiction

Arthur Miller's Global Theater

Around the Absurd

Essays on Modern and Postmodern Drama

Authenticity in Contemporary Theatre and Performance

Make it Real

Encountering Europe on British Stages

Performances and Politics since 1990

Mediatized Dramaturgy

The Evolution of Plays in the Media Age

Authenticity in Contemporary Theatre and Performance

Make it Real

Metamodernism in Contemporary British Theatre

A Politics of Hope/lessness

Science Fiction and Contemporary British Theatre

Radical Realisms in Contemporary British Theatre

Rethinking Feminist Form in Plays by Women

Performance and Real Relationships

Family, Kinship and Love in Contemporary Theatre

Traces of Dialogue

Language, Identity and Form in European Postdramatic Theatre

Ten Ways of Thinking About Samuel Beckett

The Falsetto of Reason

Brecht in Practice

Theatre, Theory and Performance

Student Handbook to the Plays of Arthur Miller

All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass

Brecht in Practice

Theatre, Theory and Performance

Student Handbook to the Plays of Arthur Miller

All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass

Ruth Maleczech at Mabou Mines

Woman's Work

Contemporary American Monologue

Performance and Politics

Watching War on the Twenty-First Century Stage

Spectacles of Conflict

Social and Political Theatre in 21st-Century Britain

Staging Crisis

Social and Political Theatre in 21st-Century Britain

Staging Crisis

Ecologies of Precarity in Twenty-First Century Theatre

Politics, Affect, Responsibility

Robert Lepage / Ex Machina

Revolutions in Theatrical Space

Robert Lepage / Ex Machina

Revolutions in Theatrical Space

Fiery Temporalities in Theatre and Performance

The Initiation of History

Social Housing in Performance

The English Council Estate on and off Stage