What Is Fiction for?

Bernard Harrison is Emeritus E. E. Ericksen Professor of Philosophy at the University of Utah and Emeritus Professor in the Faculty of Humanities, University of Sussex, UK. He is author of Inconvenient Fictions: Literature and the Limits of Theory; The Resurgence of Anti-Semitism: Jews, Israel, and Liberal Opinion; and (with Patricia Hanna) Word and World: Practice and the Foundations of Language.

• PrefaceIntroductionPART I: Getting Real1. Humanism and its Discontents2. The Mirror of Nature3. Truth, Meaning and Reality4. Leavis and Wittgenstein (I): A Living Language5. Leavis and Wittgenstein (II): The "Third Realm"PART II: Character, Language and Human Worlds6. Nature and Artifice7. Virginia Woolf and "The True Reality"8. Aharon Appelfeld and the Problem of Holocaust Fiction9. The Limits of Authorial License in Our Mutual FriendPART III: Against "The Meaning of the Work"10. Reactive versus Interpretive Criticism11. Houyhnhnm Virtue12. Sterne and SentimentalismPART IV: The Skeptic Side13. Reanimating the Author14. Persons and Narratives15. Reading and Reading-In16. Meaning It Literally: Derrida and his Critics RevisitedEpilogue: Telling the Great from the GoodNotesBibliographyIndex

"What Is Fiction For? Literary Humanism Restored brings the disciplines of literature and philosophy to bear on a single subject: the necessity of humane letters in education, the capacity of literature to transform and elevate the mind."—Academic Questions"The book is wide ranging and deeply engaged with a broad range of theoretical perspectives. . . . Recommended."—Choice"This book is not an easy read, but the effort is rewarding since its argument may very well represent a cornerstone in the history of ideas. It can certainly be a cornerstone of one's career: if one is a student in the humanities and has not yet developed needed certainties, this book can provide the grounding needed to develop them. The book's ideas are stoically, logically, and brilliantly defended. . . . Harrison's account ultimately defines itself as mandatory reading for anyone concerned with literature and literary humanism."—Partial Answers"One great virtue of the book is that Harrison's marriage of philosophy and literary criticism does genuine and novel work. It takes someone of Harrison's philosophical training to articulate the theoretical basis for his defense of literary humanism, and it takes his gifts as a critic to show what this humanism looks like in practice."—Journal of Aesthetics and Art Criticism"All those who care about literature, including admirers of the New Criticism, are indebted to Bernard Harrison for demonstrating, at length and in painstaking theoretical detail, the philosophical validity for the twenty-first century of 'merely what every common reader has always taken to be involved in ''talking about books.'''"—The Weekly Standard"In What Is Fiction For? Harrison makes a strong case for the ongoing relevance of the study of iterature as a serious and worthwhile intellectual pursuit."—Eighteenth-Century Fiction"[A] hugely original and rich defence of literary humanism. . . . I think this book, and Harrison's library cognitivism more broadly, deserves more attention . . . . "—British Journal of Aesthetics"This book is interdisciplinary in the best sense of this term: firmly rooted in both philosophy and literary studies, it brings philosophy to bear, illuminatingly, on literary texts while also enlisting the latter for support of an innovative theory of meaning in language."—Leona Toker, Hebrew University of Jerusalem"What is Fiction For? offers a grand, and successful, rethinking of an entire discipline and the conceits, questions, and cares that animate it. It will be the first book that shows literary theorists and philosophers how to divorce, once and for all, a defense of humanism from a retreat to Enlightenment and Romantic exaggerations about the human and its place in the world."—John Gibson, University of Louisville