Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. He is editor (with Melanie L. Marshall) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and author of New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez; John Cage and David Tudor: Correspondence on Interpretation and Performance; and four other monographs and edited volumes. He is based in Leeds, England. Melanie L. Marshall is Lecturer in Music at University College Cork. She is editor (with Martin Iddon) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and of Sexualities, Textualities, Art and Music in Early Modern Italy. She is based in Cork, Ireland.

• IntroductionPart I: Beyoncé at Work, Making Beyoncé1. Surviving the Hustle: Beyoncé's Performance of Work2. "A Scientist of Songs": Beyoncé's Recording Studio Music Making and the Problem of Authorship in Popular Music3. "Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha FiercePart II: Beyoncé On Screen, Reading Beyoncé4. Beyoncé's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"5. "At Last a Dream That I Can Call My Own": Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé's "Sorry"7. Gypsying Beyoncé: The Latin Crossover through Hispanic StereotypesPart III: Beyoncé Online, Re-presenting Beyoncé8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance9. "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction VideosBibliographyIndex

"Iddon and Marshall's Beyoncé is poised to expand critical conversations about the biggest and most influential pop star of the 21st century."—Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom

Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. He is editor (with Melanie L. Marshall) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and author of New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez; John Cage and David Tudor: Correspondence on Interpretation and Performance; and four other monographs and edited volumes. He is based in Leeds, England. Melanie L. Marshall is Lecturer in Music at University College Cork. She is editor (with Martin Iddon) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and of Sexualities, Textualities, Art and Music in Early Modern Italy. She is based in Cork, Ireland.

• IntroductionPart I: Beyoncé at Work, Making Beyoncé1. Surviving the Hustle: Beyoncé's Performance of Work2. "A Scientist of Songs": Beyoncé's Recording Studio Music Making and the Problem of Authorship in Popular Music3. "Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha FiercePart II: Beyoncé On Screen, Reading Beyoncé4. Beyoncé's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"5. "At Last a Dream That I Can Call My Own": Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé's "Sorry"7. Gypsying Beyoncé: The Latin Crossover through Hispanic StereotypesPart III: Beyoncé Online, Re-presenting Beyoncé8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance9. "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction VideosBibliographyIndex

"Iddon and Marshall's Beyoncé is poised to expand critical conversations about the biggest and most influential pop star of the 21st century."—Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom

Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. He is editor (with Melanie L. Marshall) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and author of New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez; John Cage and David Tudor: Correspondence on Interpretation and Performance; and four other monographs and edited volumes. He is based in Leeds, England. Melanie L. Marshall is Lecturer in Music at University College Cork. She is editor (with Martin Iddon) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and of Sexualities, Textualities, Art and Music in Early Modern Italy. She is based in Cork, Ireland.

• IntroductionPart I: Beyoncé at Work, Making Beyoncé1. Surviving the Hustle: Beyoncé's Performance of Work2. "A Scientist of Songs": Beyoncé's Recording Studio Music Making and the Problem of Authorship in Popular Music3. "Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha FiercePart II: Beyoncé On Screen, Reading Beyoncé4. Beyoncé's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"5. "At Last a Dream That I Can Call My Own": Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé's "Sorry"7. Gypsying Beyoncé: The Latin Crossover through Hispanic StereotypesPart III: Beyoncé Online, Re-presenting Beyoncé8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance9. "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction VideosBibliographyIndex

"Iddon and Marshall's Beyoncé is poised to expand critical conversations about the biggest and most influential pop star of the 21st century."—Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and Freedom