• Jenny Brumme and Anna Espunya: Background and justification: research into fictional orality and its translationAbbreviations used in this volumeReflections by authors and translatorsSusanne M. Cadera: Translating fictive dialogue in novelsDídac Pujol: The translation of fictive dialogue in theatrical plays: some metalinguistic reflectionsPatrick Zabalbeascoa: Translating dialogues in audiovisual fictionVariational space and translationMathilde Dargnat: Textual stratification and functions of orality in theatreMaria Wirf Naro: Fictive orality and formality as a translation problemCarsten Sinner: Fictional orality in romance novels: between linguistic reality and editorial requirementsVictòria Alsina: Issues in the translation of social variation in narrative dialogueElisenda Bernal: The translation of fictive orality and diastratic variation: appreciative derivationThe continuum distance-immediacy in contrast and translationAraceli López Serena: Recreating spoken syntax in fictive orality: an analytical frameworkMontserrat Forcadell: The (mis)rendering of informationally marked structures in fictive orality: English in situ accent-shift into CatalanAnna Espunya: Sentence connection in fictive dialogueMontserrat González: Pragmatic markers in translationAlexandra Corina Stavinschi: Deixis and dramatic dialogueMaria Wirf Naro: The translation of modalisersJenny Brumme: Translating phrasemes in fictive dialogueSusanne M. Cadera: Representing phonetic featuresSubject IndexAuthor Index

“What are the merits of this collection in the context of translation studies? To my knowledge, it is a first major collection of research articles on the translation of dialogue or, more generally, fictive orality. The great variety of phenomena, text types, genres, and languages covered is clearly a merit, and translators, translation scholars and teachers of literary translation will find a wealth of material. The fact that the individual contributions have a common theoretical framework that holds them together and is described in detail in the introduction is also a plus. […] The book is therefore warmly recommended to readers interested in learning more about the constraints, forces, and routines that govern the decision-making processes involved in translation.” - Waltraub Kolb, University of Vienna, in: Target 27.3 (2015), pp. 472-477

• Jenny Brumme and Anna Espunya: Background and justification: research into fictional orality and its translationAbbreviations used in this volumeReflections by authors and translatorsSusanne M. Cadera: Translating fictive dialogue in novelsDídac Pujol: The translation of fictive dialogue in theatrical plays: some metalinguistic reflectionsPatrick Zabalbeascoa: Translating dialogues in audiovisual fictionVariational space and translationMathilde Dargnat: Textual stratification and functions of orality in theatreMaria Wirf Naro: Fictive orality and formality as a translation problemCarsten Sinner: Fictional orality in romance novels: between linguistic reality and editorial requirementsVictòria Alsina: Issues in the translation of social variation in narrative dialogueElisenda Bernal: The translation of fictive orality and diastratic variation: appreciative derivationThe continuum distance-immediacy in contrast and translationAraceli López Serena: Recreating spoken syntax in fictive orality: an analytical frameworkMontserrat Forcadell: The (mis)rendering of informationally marked structures in fictive orality: English in situ accent-shift into CatalanAnna Espunya: Sentence connection in fictive dialogueMontserrat González: Pragmatic markers in translationAlexandra Corina Stavinschi: Deixis and dramatic dialogueMaria Wirf Naro: The translation of modalisersJenny Brumme: Translating phrasemes in fictive dialogueSusanne M. Cadera: Representing phonetic featuresSubject IndexAuthor Index

“What are the merits of this collection in the context of translation studies? To my knowledge, it is a first major collection of research articles on the translation of dialogue or, more generally, fictive orality. The great variety of phenomena, text types, genres, and languages covered is clearly a merit, and translators, translation scholars and teachers of literary translation will find a wealth of material. The fact that the individual contributions have a common theoretical framework that holds them together and is described in detail in the introduction is also a plus. […] The book is therefore warmly recommended to readers interested in learning more about the constraints, forces, and routines that govern the decision-making processes involved in translation.” - Waltraub Kolb, University of Vienna, in: Target 27.3 (2015), pp. 472-477

• Jenny Brumme and Anna Espunya: Background and justification: research into fictional orality and its translationAbbreviations used in this volumeReflections by authors and translatorsSusanne M. Cadera: Translating fictive dialogue in novelsDídac Pujol: The translation of fictive dialogue in theatrical plays: some metalinguistic reflectionsPatrick Zabalbeascoa: Translating dialogues in audiovisual fictionVariational space and translationMathilde Dargnat: Textual stratification and functions of orality in theatreMaria Wirf Naro: Fictive orality and formality as a translation problemCarsten Sinner: Fictional orality in romance novels: between linguistic reality and editorial requirementsVictòria Alsina: Issues in the translation of social variation in narrative dialogueElisenda Bernal: The translation of fictive orality and diastratic variation: appreciative derivationThe continuum distance-immediacy in contrast and translationAraceli López Serena: Recreating spoken syntax in fictive orality: an analytical frameworkMontserrat Forcadell: The (mis)rendering of informationally marked structures in fictive orality: English in situ accent-shift into CatalanAnna Espunya: Sentence connection in fictive dialogueMontserrat González: Pragmatic markers in translationAlexandra Corina Stavinschi: Deixis and dramatic dialogueMaria Wirf Naro: The translation of modalisersJenny Brumme: Translating phrasemes in fictive dialogueSusanne M. Cadera: Representing phonetic featuresSubject IndexAuthor Index

“What are the merits of this collection in the context of translation studies? To my knowledge, it is a first major collection of research articles on the translation of dialogue or, more generally, fictive orality. The great variety of phenomena, text types, genres, and languages covered is clearly a merit, and translators, translation scholars and teachers of literary translation will find a wealth of material. The fact that the individual contributions have a common theoretical framework that holds them together and is described in detail in the introduction is also a plus. […] The book is therefore warmly recommended to readers interested in learning more about the constraints, forces, and routines that govern the decision-making processes involved in translation.” - Waltraub Kolb, University of Vienna, in: Target 27.3 (2015), pp. 472-477