Companion to Nineteenth-Century Art

Michelle Facos teaches art history at Indiana University Bloomington. Author of An Introduction to Nineteenth-Century Art (2011) and the website , Professor Facos's career is dedicated to promoting a balanced and holistic understanding of nineteenth-century art and civilization by reintegrating art and history beyond the boundaries of Western Europe into the existing narrative. Her previous anthologies, Symbolist Roots of Modern Art (2015, coedited with Thor J. Mednick) and Art, Culture and National Identity in Fin-de-Siècle Europe (2003, coedited with Sharon L. Hirsh) similarly cover developments from the Baltic Sea to the Mediterranean.

• List of Figures ixAbout the Editor xiiiNotes on Contributors xvSeries Editor’s Preface xxiAcknowledgments xxiiiIntroduction xxvMichelle Facos1 Moses Jacob Ezekiel’s Religious Liberty (1876) and the Nineteenth‐Century Jewish American Experience 1Samantha Baskind2 The Lure of “Magick Land”: British Artists and Italy in the Eighteenth Century 17Brendan Cassidy3 Mining the Dutch Golden Age: The Avant‐Garde Enterprise 35Johanna Ruth Epstein4 “The Revenge of Art on Life”: Beauty, Modernity, and Edward Burne‐Jones’s King Cophetua and the Beggar Maid 51Andrea Wolk Rager5 Show and Tell: Exhibition Practice in the Nineteenth Century 69Patricia Mainardi6 Networked: The Art Market in the Nineteenth Century 83Pamela Fletcher and Anne Helmreich7 German Art Academies and their Impact on Artistic Style 103Sabine Wieber8 “Orientalism” in Art: The Case of John Frederick Lewis 121Julie Codell9 Wall to Wall: Zones of Artistic Engagement in Late Nineteenth‐Century America 139Melody Barnett Deusner10 “Like a Dog, Just Looking”: Cézanne, Innocence, and Early Phenomenological Thought in Nineteenth‐Century France 159Nina Athanassoglou‐Kallmyer11 Aesthetic Religion, Religious Aesthetics, and the Romantic Quest for Epiphany 175Cordula Grewe12 The Wanderers and Realism in Tsarist Russia 193Josephine Karg13 Thomas Cole and the Domestic Landscape of the Hudson River School 209William L. Coleman14 Sculpture and the Public Imagination: Nineteenth‐Century Site‐Specific Art of the Cemetery, the Garden, and the Street 225Caterina Y. Pierre15 Capturing Unconsciousness: The New Psychology, Hypnosis, and the Culture of Hysteria 243Fae Brauer16 Impressionism and the Mirror Image 263Martha Lucy17 Roots: Landscapes of Nationalism in the Long Nineteenth Century 281Neil McWilliam18 Australian Art in the Nineteenth‐Century: Forging a National Style 299Catherine Speck19 Tradition and Modernity in Nineteenth‐Century Catalan Art: From Romanticism to Picasso 315M. Lluïsa Faxedas Brujats20 Principle and Practice in Nineteenth‐Century Danish Landscape Painting 335Thor J. Mednick21 Art and Multiculturalism in Estonia and Latvia, circa 1900 353Bart Pushaw22 Nationalism and the Myth of Hungarian Origin: Attila and Árpád 371Terri Switzer23 In the Service of the Nation: Forging the Identity of Polish Art in the Nineteenth Century 391Agnieszka Rosales Rodriguez24 Facing Modernism: Jean‐Antoine Houdon and the Politics of the Portrait Bust in Eighteenth‐Century France 413Ronit Milano25 Identity Tourism: Studio Stagings in Nineteenth‐Century Photography 431Patricia G. Berman26 The Meaning of the Verb “To Be” in Painting: Manet’s Olympia 451Andrei Molotiu27 Cassatt’s Singular Women: Reading Le Figaro and the Older New Woman 467Ruth E. Iskin28 Fashion, Lithography, and Gender Instability in Romantic‐Era Paris: A Case Study 485Andrew Carrington Shelton29 Racist or Hero of Social Art?: Degas, the Birth of Sociology, and the Biopolitical Gaze 499Michael F. ZimmermannIndex 519

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