"Facos, Mednick, and their co-essayists persuasively posit that Symbolism is in fact the dawn of Modern art, rather than an anti-Modernist moment as it has so often been described. The Symbolist Roots of Modern Art proves to be a studied reflection on Symbolism‘s reappraisal of both the material and the natural, which, in turn, connects it to Modernism‘s interrogation of art‘s object-ness and disruption of conventional semiotic structures. ... Sure to spark lively discussion." - Nineteenth Century Art Worldwide"Perhaps the most appealing aspect of this coedited volume is the impressive range of material it offers. Seventeen essays feature fresh views on several acclaimed Symbolists, such as Fernand Khnopff and James Ensor, as well as a selection of studies devoted to underrepresented practitioners of this aesthetic: Nicholaos Gyzis, Konstantinos Parthenis, and Mikhail Vrubel, among others. Summing Up: Recommended. Graduate students." - Choice"This volume is an extraordinary contribution to the scholarship on Symbolism and Modernism. It covers not only art, but also the philosophical, historical, and literary contexts of both movements. It clearly demonstrates unexpected interconnections between Symbolism and Modernism and introduces little-known artists alongside famous names."- Slavic and East European Journal