California and the Melancholic American Identity in Joan Didion’s Novels

Exiled from Eden

Häftad, Engelska, 2020

AvKatarzyna Nowak McNeice

899 kr

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California and the Melancholic American Identity in Joan Didion’s Novels: Exiled from Eden focuses on the concept of Californian identity in the fiction of Joan Didion. This identity is understood as melancholic, in the sense that the critics following the tradition of both Sigmund Freud and Walter Benjamin use the word. The book traces the progress of the way Californian identity is portrayed in Joan Didion’s novels, starting with the first two in which California plays the central role, Run River and Play It As It Lays, through A Book of Common Prayer to Democracy and The Last Thing He Wanted, where California functions only as a distant point of reference, receding to the background of Didion’s interests. Curiously enough, Didion presents Californian history as a history of white settlement, disregarding whole chapters of the history of the region in which the Californios and Native Americans, among other groups, played a crucial role: it is this reticence that the monograph sees as the main problem of Didion’s fiction and presents it as the silent center of gravity in Didion’s oeuvre. The monograph proposes to see the melancholy expressed by Didion’s fiction organized into four losses: of Nature, History, Ethics, and Language; around which the main analytical chapters are constructed. What remains unrepresented and silenced comes back to haunt Didion’s fiction, and it results in a melancholic portrayal of California and its identity – which is the central theme this monograph addresses.

Produktinformation

Utgivningsdatum2020-09-30
Mått152 x 229 x 16 mm
Vikt453 g
FormatHäftad
SpråkEngelska
SerieLiterary Criticism and Cultural Theory
Antal sidor212
FörlagTaylor & Francis Ltd
ISBN9780367663643

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Katarzyna Nowak-McNeice is a Conex-Marie Curie Postdoctoral Research Fellow at Universidad Carlos III de Madrid, Spain. She obtained her doctoral degree from the University of Wroclaw, Poland, in 2005. She is the author of Melancholic Travelers: Autonomy, Hybridity and the Maternal (Peter Lang, 2007) and co-editor of Interiors: Interiority/ Exteriority in Literary and Cultural Discourse (Cambridge Scholars, 2010) and A Dark California: Essays on Dystopian Depictions in Popular Culture (McFarland, 2017), as well as essays, reviews and translations.

IntroductionPart 1: Joan Didion, the Native DaughterDidion the Sacramentan, Californian, WesternerCritical ReceptionJoan Didion’s Melancholy California Part 2: Californian Losses and MelancholiaThe Myth of an Empty FrontierHow Joan Didion Expelled Herself from ParadiseRacial Melancholia and the Emergence of ConscienceThe Social Dimension of MelancholiaChapter 1: The Loss of NatureProblems with American NatureProblems with The Garden of EdenThe Paradoxes of NatureWriting to Remember and to RedeemPioneers and AncestorsPurification through FireThe Howling Wilderness: The California DesertTurner’s and Didion’s Frontierless WestChapter 2: The Loss of HistoryManifest Destiny and Its Fulfillment in CaliforniaFreedom from History History, Nature, and Hysteria"A History of Accidents""You Can’t Call This a Bad Place"The Freeway ExperienceEscaping the Meaninglessness of HistoryChapter 3: The Loss of EthicsThe Emergence of ConscienceThe Melancholic Donner PartyDesire and the Wagon-Train MoralityBetrayals of Familial LoyaltyLife as GamblingParental InfluenceParental TransgressionsChapter 4: The Loss of LanguageLooking Awry at Conscience and LossThe Language of MelancholiaThe Limits of LanguageEstrangement from the BodyTranslation and BetrayalThe Modern Pioneers and the Loss of MemoryThe Language of DemocracyConclusion

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