Literary Criticism and Cultural Theory – serie

Cultural Evolution and its Discontents

Cognitive Overload, Parasitic Cultures, and the Humanistic Cure

Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel

Conceptualisation and Exposition

A Theory of Character Construction

Agamben’s Political Ontology of Nudity in Literature and Art

Promiscuity in Western Literature

Knots

Post-Lacanian Psychoanalysis, Literature and Film

Literary Twinship from Shakespeare to the Age of Cloning

Double Trouble

The Doppelgänger from Romanticism to Postmodernism

(In)digestion in Literature and Film

A Transcultural Approach

Cultural Evolution and its Discontents

Cognitive Overload, Parasitic Cultures, and the Humanistic Cure

(In)digestion in Literature and Film

A Transcultural Approach

Erich Auerbach and the Secular World

Literary Criticism, Historiography, Post-Colonial Theory and Beyond

Queer Women in Modern Spanish Literature

Activism, Sexuality, and the Otherness of the 'Chicas Raras'

Trans(in)fusion

Reflections for Critical Thinking

Trans(in)fusion

Reflections for Critical Thinking

Telling Details

Chinese Fiction, World Literature

Gender and Memory in the Postmillennial Novels of Almudena Grandes

California and the Melancholic American Identity in Joan Didion’s Novels

Exiled from Eden

Making and Seeing Modern Texts

Pictorial Third

An Essay Into Intermedial Criticism

Ghostly Encounters

Cultural and Imaginary Representations of the Spectral from the Nineteenth Century to the Present

Ghostly Encounters

Cultural and Imaginary Representations of the Spectral from the Nineteenth Century to the Present

Recycling Virginia Woolf in Contemporary Art and Literature

Gender and Memory in the Postmillennial Novels of Almudena Grandes

Revised Lives

Whitman, Religion, and Constructions of Identity in Nineteenth-Century Anglo-American Culture

Writing the City

Urban Visions and Literary Modernism

Asian Diaspora Poetry in North America

Aesthetic Hysteria

The Great Neurosis in Victorian Melodrama and Contemporary Fiction

Between Profits and Primitivism

Shaping White Middle-Class Masculinity in the U.S., 1880-1917