Tracking Pop – serie

Sounding Out Pop

Analytical Essays in Popular Music

Are We Not New Wave?

Modern Pop at the Turn of the 1980s

I Don't Sound Like Nobody

Remaking Music in 1950s America

Bytes and Backbeats

Repurposing Music in the Digital Age

Rhymin' and Stealin'

Musical Borrowing in Hip-Hop

Powerful Voices

The Musical and Social World of Collegiate A Cappella

I Hear a Symphony

Motown and Crossover R&B

Here for the Hearing

Analyzing the Music in Musical Theater

Soul Music

Tracking the Spiritual Roots of Pop from Plato to Motown

Krautrock

German Music in the Seventies

Hearing Harmony

Toward a Tonal Theory for the Rock Era

Uncharted

Creativity and the Expert Drummer

Soda Goes Pop

Pepsi-Cola Advertising and Popular Music

Critical Excess

Watch the Throne and the New Gilded Age

Queer Voices in Hip Hop

Cultures, Communities, and Contemporary Performance

Tracks on the Trail

Popular Music, Race, and the US Presidency

Bastard Instrument

A Cultural History of the Electric Bass

Prince, Musical Genre, and the Construction of Racial Identity

Big Feelings

Queer and Feminist Indie Rock After Riot Grrrl

Listening to Popular Music

Or, How I Learned to Stop Worrying and Love Led Zeppelin

Krautrock

German Music in the Seventies

Uncharted

Creativity and the Expert Drummer

Soda Goes Pop

Pepsi-Cola Advertising and Popular Music

Beatles through a Glass Onion

Reconsidering the White Album

Critical Excess

Watch the Throne and the New Gilded Age

Queer Voices in Hip Hop

Cultures, Communities, and Contemporary Performance

Tracks on the Trail

Popular Music, Race, and the US Presidency

Bastard Instrument

A Cultural History of the Electric Bass

Prince, Musical Genre, and the Construction of Racial Identity