Series in Fairy-Tale Studies – serie

Angela Carter and the Fairy Tale

Fairy Tales and Feminism

New Approaches

Arabian Nights Reader

Marvelous Geometry

Narrative and Metafiction in Modern Fairy Tale

Some Day Your Witch Will Come

Arabian Nights in Transnational Perspective

Critical and Creative Perspectives on Fairy Tales

An Intertextual Dialogue Between Fairy-Tale Scholarship and Postmodern Retellings

Russian Folktale by Vladimir Yakovlevich Propp

Revisioning Red Riding Hood Around the World

An Anthology of International Retellings

Transgressive Tales

Queering the Grimms

Fairy Tales Transformed?

Twenty-First-Century Adaptations and the Politics of Wonder

Queer Enchantments

Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy

Reading, Translating, Rewriting

Angela Carter's Translational Poetics

Disability, Deformity, and Disease in the Grimms' Fairy Tales

Mother Goose Refigured

A Critical Translation of Charles Perrault's Fairy Tales

Politics of Magic

DEFA Fairy-Tale Films

Grimms' Tales Around the Globe

The Dynamics of Their International Reception

Channeling Wonder

Fairy Tales on Television

Erotic Infidelities

Love and Enchantment in Angela Carter's the Bloody Chamber

Teaching Fairy Tales

From Dog Bridegroom to Wolf Girl

Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West

Cinderella Across Cultures

Craving Supernatural Creatures

German Fairy-Tale Figures in American Pop Culture

Reality, Magic, and Other Lies

Fairy-Tale Film Truths

Pleasures of Metamorphosis

Japanese and English Fairy-Tale Transformations of ""the Little Mermaid

Giambattista Basile's the Tale of Tales, or Entertainment for Little Ones

Relief After Hardship

The Ottoman Turkish Model for the Thousand and One Days

Mapping Fairy-Tale Space

Pastiche and Metafiction in Borderless Tales

Women Writing Wonder

An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales