Screen Cultures: German Film and the Visual – serie

After the Avant-Garde

Contemporary German and Austrian Experimental Film

Screening War

Perspectives on German Suffering

New History of German Cinema

Women in Weimar Fashion

Discourses and Displays in German Culture, 1918-1933

Many Faces of Weimar Cinema

Rediscovering Germany's Filmic Legacy

Visualizing the Holocaust

Documents, Aesthetics, Memory

Last Features

East German Cinema's Lost Generation

Generic Histories of German Cinema

Genre and Its Deviations

Film and Fashion amidst the Ruins of Berlin

From Nazism to the Cold War

DEFA after East Germany

New History of German Cinema

Nazi Past in Contemporary German Film

Viewing Experiences of Intimacy and Immersion

Forgotten Dreams

Revisiting Romanticism in the Cinema of Werner Herzog

Autobiographical Turn in Germanophone Documentary and Experimental Film

Continuity and Crisis in German Cinema, 1928-1936

Counter-Cinema of the Berlin School

Austria Made in Hollywood

Gender and Sexuality in East German Film

Intimacy and Alienation

Celluloid Revolt

German Screen Cultures and the Long 1968

Montage as Perceptual Experience

Berlin Alexanderplatz from Döblin to Fassbinder

Forgotten Dreams

Revisiting Romanticism in the Cinema of Werner Herzog

Moving Images on the Margins

Experimental Film in Late Socialist East Germany

Films of Konrad Wolf

Archive of the Revolution

Transnational German Film at the End of Neoliberalism

Radical Aesthetics, Radical Politics

Film and Fashion amidst the Ruins of Berlin

From Nazism to the Cold War

Austria Made in Hollywood

Film History for the Anthropocene

The Ecological Archive of German Cinema

Charting Asian German Film History

Imagination, Collaboration, and Diasporic Representation

Visualizing the Holocaust

Documents, Aesthetics, Memory