BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College. BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College.

• Introduction: Seeing Against the Grain: Re-visualizing the Holocaust - David BathrickOn the Liberation of Perpetrator Photographs in Holocaust Narratives - Brad PragerThe Interpreter's Dilemma: Heinrich Jöst's Warsaw Ghetto Photographs - Daniel H. MagilowWhose Trauma Is It? Identification and Secondary Witnessing in the Age of Postmemory - Elke HecknerNo Child Left Behind: Anne Frank Exhibits, American Abduction Narratives, and Nazi Bogeymen - Lisa J. NicolettiAuschwitz as Hermeneutic Rupture, Differend, and Image malgré tout: Jameson, Lyotard, Didi-Huberman - Sven-Erik RoseClaude Lanzmann's Shoah and the Internionality of the Image - Michael D'ArcyFor and Against the Bilderverbot: The Rhetoric of "Unrepresentability" and Remediated "Authenticity" in the German Reception of Steven Spielberg's Schindler's List Reception of Steven Spielberg's Schindler's List - Karyn BallCelan's Cinematic: Anxiety of the Gaze in Night and Fog and "Engführung" - Eric KligermanAffect in the Archive: Arendt, Eichmann and The Specialist - Darcy C. BuerkleHome-Movies, Film Diaries, and Mass Bodies: Péter Forgác's Free Fall Into the Holocaust - Jaimey FisherLaughter and Catastrophe: Train of Life and Tragicomic Holocaust Cinema - David Brenner"Heil Myself!": Impersonation and Identity in the Comedic Representation of Hitler - Michael D. Richardson

Adds another substantial document to analyses of visual representations of the Holocaust.

BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College. BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College.

• Introduction: Seeing Against the Grain: Re-visualizing the Holocaust - David BathrickOn the Liberation of Perpetrator Photographs in Holocaust Narratives - Brad PragerThe Interpreter's Dilemma: Heinrich Jöst's Warsaw Ghetto Photographs - Daniel H. MagilowWhose Trauma Is It? Identification and Secondary Witnessing in the Age of Postmemory - Elke HecknerNo Child Left Behind: Anne Frank Exhibits, American Abduction Narratives, and Nazi Bogeymen - Lisa J. NicolettiAuschwitz as Hermeneutic Rupture, Differend, and Image malgré tout: Jameson, Lyotard, Didi-Huberman - Sven-Erik RoseClaude Lanzmann's Shoah and the Internionality of the Image - Michael D'ArcyFor and Against the Bilderverbot: The Rhetoric of "Unrepresentability" and Remediated "Authenticity" in the German Reception of Steven Spielberg's Schindler's List Reception of Steven Spielberg's Schindler's List - Karyn BallCelan's Cinematic: Anxiety of the Gaze in Night and Fog and "Engführung" - Eric KligermanAffect in the Archive: Arendt, Eichmann and The Specialist - Darcy C. BuerkleHome-Movies, Film Diaries, and Mass Bodies: Péter Forgác's Free Fall Into the Holocaust - Jaimey FisherLaughter and Catastrophe: Train of Life and Tragicomic Holocaust Cinema - David Brenner"Heil Myself!": Impersonation and Identity in the Comedic Representation of Hitler - Michael D. Richardson

Adds another substantial document to analyses of visual representations of the Holocaust.

BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College. BRAD PRAGER is the Catherine Paine Middlebush Chair of Humanities, Professor of German, and Professor of Film Studies at the University of Missouri. MICHAEL D. RICHARDSON is Professor and Screen Cultures Program Director in the Department of World Languages, Literatures, and Cultures at Ithaca College.

• Introduction: Seeing Against the Grain: Re-visualizing the Holocaust - David BathrickOn the Liberation of Perpetrator Photographs in Holocaust Narratives - Brad PragerThe Interpreter's Dilemma: Heinrich Jöst's Warsaw Ghetto Photographs - Daniel H. MagilowWhose Trauma Is It? Identification and Secondary Witnessing in the Age of Postmemory - Elke HecknerNo Child Left Behind: Anne Frank Exhibits, American Abduction Narratives, and Nazi Bogeymen - Lisa J. NicolettiAuschwitz as Hermeneutic Rupture, Differend, and Image malgré tout: Jameson, Lyotard, Didi-Huberman - Sven-Erik RoseClaude Lanzmann's Shoah and the Internionality of the Image - Michael D'ArcyFor and Against the Bilderverbot: The Rhetoric of "Unrepresentability" and Remediated "Authenticity" in the German Reception of Steven Spielberg's Schindler's List Reception of Steven Spielberg's Schindler's List - Karyn BallCelan's Cinematic: Anxiety of the Gaze in Night and Fog and "Engführung" - Eric KligermanAffect in the Archive: Arendt, Eichmann and The Specialist - Darcy C. BuerkleHome-Movies, Film Diaries, and Mass Bodies: Péter Forgác's Free Fall Into the Holocaust - Jaimey FisherLaughter and Catastrophe: Train of Life and Tragicomic Holocaust Cinema - David Brenner"Heil Myself!": Impersonation and Identity in the Comedic Representation of Hitler - Michael D. Richardson

Adds another substantial document to analyses of visual representations of the Holocaust.