Routledge History of Photography – serie

Visual Culture Approaches to the Selfie

Selfie, Temporality, and Contemporary Photography

Materiality of Exhibition Photography in the Modernist Era

Form, Content, Consequence

Domestic Interior and the Self in Contemporary Photography

Domestic Interior and the Self in Contemporary Photography

Photographing, Exploring and Exhibiting Russian Turkestan

Central Asia on Display

Photographing, Exploring and Exhibiting Russian Turkestan

Central Asia on Display

Empire, Early Photography and Spectacle

The Global Career of Showman Daguerreotypist J.W. Newland

Experimental Self-Portraits in Early French Photography

Camera as Actor

Photography and the Embodiment of Technology

Jeff Wall and the Concept of the Picture

Materiality of Exhibition Photography in the Modernist Era

Form, Content, Consequence

How Photography Changed Philosophy

How Photography Changed Philosophy

Image of Environmental Harm in American Social Documentary Photography

Diverse Voices in Photographic Albums

“These Are Our Stories”

Diverse Voices in Photographic Albums

“These Are Our Stories”

Hybrid Photography

Intermedial Practices in Science and Humanities

Selfie, Temporality, and Contemporary Photography

Image of Environmental Harm in American Social Documentary Photography

Pioneering Photographic Work of Hercule Florence

Photography and Ontology

Unsettling Images

Photography and Political Repressions in Stalin’s Russia

Defacing the Enemy

Photography and Political Repressions in Stalin’s Russia

Defacing the Enemy

Photography in China

Science, Commerce and Communication

Visual Culture Approaches to the Selfie

Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography

Desirous Bodies

Italian Neorealist Photography

Its Legacy and Aftermath

Pre-State Photographic Archives and the Zionist Movement