Hybrid Photography

Intermedial Practices in Science and Humanities

Häftad, Engelska, 2024

Av Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen

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This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.

Produktinformation

Utgivningsdatum2024-08-26
Mått174 x 246 x 15 mm
Vikt560 g
FormatHäftad
SpråkEngelska
SerieRoutledge History of Photography
Antal sidor200
FörlagTaylor & Francis Ltd
ISBN9780367744441

Tillhör följande kategorier

Allmän historia och världshistoria inom Historia och arkeologi
Konsthistoria inom Kultur
Fotoutrustning och fototeknik inom Kultur
Fotoredigering och bildredigering inom Data och it
Digital fototeknik inom Data och it
Konstböcker inom Kultur

Introduction: Where Does Photography Start? And Where Does it End? A Hybrid IntroductionSara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen Part 1: Hybrid MeasurementSara Hillnhetter1. Hybrid Photography in the History of Science: The Case of Astronomical Practice Omar W. Nasim 2. The Map as a Photograph: Theodor Scheimpflug’s Balloon Aerial Photogrammetry Michael Kempf 3. Seen from Above: Wilhelm Halffter’s Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit Sigrid Schulze 4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German Sara Hillnhetter Part 2: Hybrid MaterialityStefanie Klamm5. “Imageability”: Aligning Bodies and Imaging TechnologiesKathrin Friedrich 6. Beyond Retouching: Hans Virchow’s Mixed Media and His X-ray Drawings of the Lotus FootVera Dünkel 7. From Photography to Printing: the Chronophotography of Étienne-Jules Marey Linda Bertelli 8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings Alexander Streitberger 9. Reconfiguring the Use of Photography in Archaeology Stefanie Klamm Part 3: Hybrid ReproductionFriedrich Tietjen10. “The Camera That Takes a Face, Can Take a Page”: Microfilm as a Scientific AidEstelle Blaschke 11. Stereo Atlases as Hybrid KnowledgeKelley Wilder 12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900Alexander Gall13. “Offering Pleasures to the Eye.” Max Semrau’s Kunst des Altertums (1899), Its Illustrations, and Art History’s Ignorance Towards ReproductionFriedrich Tietjen 14. Fantasy of a World Without HumansJimena Canales