Routledge Focus on Film Studies – serie

Virtue and Vice in Popular Film

Virtue and Vice in Popular Film

Indian Indies

A Guide to New Independent Indian Cinema

Indian Indies

A Guide to New Independent Indian Cinema

Weimar Cinema, Embodiment, and Historicity

Cultural Memory and the Historical Films of Ernst Lubitsch

Migrants in Contemporary Spanish Film

Weimar Cinema, Embodiment, and Historicity

Cultural Memory and the Historical Films of Ernst Lubitsch

Unproduction Studies and the American Film Industry

Unproduction Studies and the American Film Industry

Cinema and Surveillance

The Asymmetric Gaze

Cinema and Surveillance

The Asymmetric Gaze

Body in Jean-Luc Godard's New Wave Films

Body in Jean-Luc Godard's New Wave Films

Con Artists in Cinema

Self-Knowledge, Female Power, and Love

Con Artists in Cinema

Self-Knowledge, Female Power, and Love

Migration and Identity in British East and Southeast Asian Cinema

Migration and Identity in British East and Southeast Asian Cinema

Cinema of Agnieszka Holland

Anger and Ethics

Jürgen Böttcher and Documentary Film

Documentaries, Contemporaries, History

Jürgen Böttcher and Documentary Film

Documentaries, Contemporaries, History

Decolonial Imaginaries in Palestinian Experimental Film and Video

Postnational and Feminist Aesthetics

Decolonial Imaginaries in Palestinian Experimental Film and Video

Postnational and Feminist Aesthetics

Reframing Faith in Balkan Documentary Film

History and Religion in Yugoslav Space

Un-Reality Effect in the Cinema of Attractions

Rethinking the Films of Lumière Brothers and Méliès through Pictorial Paradigms and Cultural Filters

Anticolonialism, Ontology, and Semiotics

A Cinematic Exploration

Gay Men in Egyptian Cinema

Censorship, Visibility, and Stereotypes

Migrants in Contemporary Spanish Film

Robot Ecology and the Science Fiction Film