Research in Horror Studies – serie

Dark Forces at Work

Essays on Social Dynamics and Cinematic Horrors

Transnational Zombie Cinema, 2010 to 2020

Readings in a Mutating Tradition

Disney Gothic

Dark Shadows in the House of Mouse

Star Trek Discovery and the Female Gothic

Tell Fear No

Ethics of Horror

Spectral Alterity in Twenty-First-Century Horror Film

Dissecting Cannibal Holocaust

Future Folk Horror

Contemporary Anxieties and Possible Futures

Toxic Nostalgia on Screen

Undead Memory in the Twenty-First Century

Criminological Understandings of Horror Films

Reel Fear

Catholic Horror on Television

Haunting Faith

Horror in the Early Films of Roger Corman, 1955–1964

Anthropocene and the Undead

Cultural Anxieties in the Contemporary Popular Imagination

Anthropocene and the Undead

Cultural Anxieties in the Contemporary Popular Imagination

Grief in Contemporary Horror Cinema

Screening Loss

Grief in Contemporary Horror Cinema

Screening Loss

Violence in the Films of Stephen King

Violence in the Films of Stephen King

Gothic Mash-Ups

Hybridity, Appropriation, and Intertextuality in Gothic Storytelling

Gothic Mash-Ups

Hybridity, Appropriation, and Intertextuality in Gothic Storytelling

Evolution of Horror in the Twenty-First Century

Japanese Horror Culture

Critical Essays on Film, Literature, Anime, Video Games

Japanese Horror Culture

Critical Essays on Film, Literature, Anime, Video Games

Supranational Horrors

Italian and Spanish Horror Cinema since 1968