Natalie Neill is associate professor of English at York University.

• Part I: Film and Television Mash-Ups1.Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia FranchiseMegen de Bruin-Molé2.Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-UpsKevin M. Flanagan 3.Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957–1983 Xavier Aldana Reyes 4.Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful Sarah E. Maier and Rachel M. Friars5.Horror, Humor, and Satire in Get Out Chesya Burke Part II: Literary Mash-Ups6.Anne Boleyn, Tudor Vampire Stephanie Russo 7.The Holmes-Meets-Dracula Mash-Up L. N. Rosales8.Orgiastic Authorship in The Picture of Dorian Gray and Teleny Sandra M. Leonard 9.Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach Kelly BaronPart III: More Mash-Ups: Comics, Performance, and Games10.“The crawling thing within me”: Marvel Comics

This well-structured, highly revealing, thorough, scholarly, yet always accessible collection shows how “mash-ups” intermingling once-disparate elements in many different media – yet always with visibly Gothic echoes – extend well beyond the likes of Pride and Prejudice and Zombies. These revelations draw us both backward to expose how Gothic fictions have always been mash-ups and forward to detail how those mixtures have been exfoliated in comics, performance magic, video games, and a very wide range of films and texts not always recognized as mash-ups to the extent they really are. The result is a strong, expansive rewriting of the history of the Gothic that every student and fan of that mode should take account of from now on.

Natalie Neill is associate professor of English at York University.

• Part I: Film and Television Mash-Ups1.Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia FranchiseMegen de Bruin-Molé2.Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-UpsKevin M. Flanagan 3.Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957–1983 Xavier Aldana Reyes 4.Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful Sarah E. Maier and Rachel M. Friars5.Horror, Humor, and Satire in Get Out Chesya Burke Part II: Literary Mash-Ups6.Anne Boleyn, Tudor Vampire Stephanie Russo 7.The Holmes-Meets-Dracula Mash-Up L. N. Rosales8.Orgiastic Authorship in The Picture of Dorian Gray and Teleny Sandra M. Leonard 9.Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach Kelly BaronPart III: More Mash-Ups: Comics, Performance, and Games10.“The crawling thing within me”: Marvel Comics

This well-structured, highly revealing, thorough, scholarly, yet always accessible collection shows how “mash-ups” intermingling once-disparate elements in many different media – yet always with visibly Gothic echoes – extend well beyond the likes of Pride and Prejudice and Zombies. These revelations draw us both backward to expose how Gothic fictions have always been mash-ups and forward to detail how those mixtures have been exfoliated in comics, performance magic, video games, and a very wide range of films and texts not always recognized as mash-ups to the extent they really are. The result is a strong, expansive rewriting of the history of the Gothic that every student and fan of that mode should take account of from now on.

Natalie Neill is associate professor of English at York University.

• Part I: Film and Television Mash-Ups1.Do the Monster Mash: Universal’s “Classic Monsters” and the Industrialization of the Gothic Transmedia FranchiseMegen de Bruin-Molé2.Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-UpsKevin M. Flanagan 3.Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957–1983 Xavier Aldana Reyes 4.Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful Sarah E. Maier and Rachel M. Friars5.Horror, Humor, and Satire in Get Out Chesya Burke Part II: Literary Mash-Ups6.Anne Boleyn, Tudor Vampire Stephanie Russo 7.The Holmes-Meets-Dracula Mash-Up L. N. Rosales8.Orgiastic Authorship in The Picture of Dorian Gray and Teleny Sandra M. Leonard 9.Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach Kelly BaronPart III: More Mash-Ups: Comics, Performance, and Games10.“The crawling thing within me”: Marvel Comics

This well-structured, highly revealing, thorough, scholarly, yet always accessible collection shows how “mash-ups” intermingling once-disparate elements in many different media – yet always with visibly Gothic echoes – extend well beyond the likes of Pride and Prejudice and Zombies. These revelations draw us both backward to expose how Gothic fictions have always been mash-ups and forward to detail how those mixtures have been exfoliated in comics, performance magic, video games, and a very wide range of films and texts not always recognized as mash-ups to the extent they really are. The result is a strong, expansive rewriting of the history of the Gothic that every student and fan of that mode should take account of from now on.