Post-Contemporary Interventions – serie

Postmodernism and Japan

Doing What Comes Naturally

Change, Rhetoric, and the Practice of Theory in Literary & Legal Studies

Heterology and the Postmodern

Bataille, Baudrillard, and Lyotard

Postmodernism, or, the Cultural Logic of Late Capitalism

Fables of Power

Aesopian Writing and Political History

Criticism in the Borderlands

Studies in Chicano Literature, Culture, and Ideology

Dialectics of Our America

Genealogy, Cultural Critique, and Literary History

Politics of Liberal Education

Figures of Resistance

Language, Poetry, and Narrating in the Tale of the Genji and Other Mid-Heian Texts

Story of Stone

Intertextuality, Ancient Chinese Stone Lore, and the Stone Symbolism in Dream of the Red Chamber, Water Margin, and the Journey to the West

Politics of Liberal Education

Tao and the Logos

Literary Hermeneutics, East and West

Mutual Misunderstanding

Scepticism and the Theorizing of Language and Interpretation

Apprehending the Criminal

The Production of Deviance in Nineteenth Century Discourse

Apprehending the Criminal

The Production of Deviance in Nineteenth Century Discourse

Text

The Genealogy of an Antidisciplinary Object

Rhetoric of Empire

Colonial Discourse in Journalism, Travel Writing, and Imperial Administration

Origins of Modern Japanese Literature

Community Without Unity

A Politics of Derridian Extravagance

Anomalous States

Irish Writing and the Post-Colonial Moment

Tarrying with the Negative

Kant, Hegel, and the Critique of Ideology

Radical Representations

Politics and Form in U.S. Proletarian Fiction, 1929–1941

Tarrying with the Negative

Kant, Hegel, and the Critique of Ideology

Construction of Authorship

Textual Appropriation in Law and Literature

House/Garden/Nation

Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women

Still Life in Real Time

Theory After Television

Belated Travelers

Orientalism in the Age of Colonial Dissolution

Representing Women

Law, Literature, and Feminism

Laura

Uncovering Gender and Genre in Wyatt, Donne and Marvell