Barbara Foley is Associate Professor of English at Rutgers University, Newark Campus.

• Preface viiPart One 1. The Legacy of Anti-Communism 32. Influences on American Proletarian Literature 443. Defining Proletarian Litearture 864. Art or Propaganda? 1295. Race, Class, and the "Negro Question" 1706. Women and the Left in the 1930s 213Part Two 7. Realism and Didacticism in Proletarian Fiction 2498. The Proletarian Fictional Autobiography 2849. The Proletarian Bildungsroman 32110. The Proletarian Social Novel 36211. The Collective Novel 398Afterword 443Index 447

"Foley succeeds admirably in demonstrating that the proletarian novel is indeed worth reexamining from a variety of points of view as an essential way in which we may understand the American 1930s more accurately. This is a really important book in its field, a field wide enough to include not only literature, but history and politics."-Walter Rideout, University of Wisconsin, Madison "[Foley] substantially refutes the received wisdom that writers within the Communist Party and its periphery produced a degraded, politically compromised body of work because they followed a formula dictated from the party leadership. I cannot imagine anyone interested in politics and literature not taking this book as required reading. It will also be of great interest to American Studies, Cultural Studies and historians and sociologists of culture."-Stanley Aronowitz, CUNY Graduate Center

Barbara Foley is Associate Professor of English at Rutgers University, Newark Campus.

• Preface viiPart One 1. The Legacy of Anti-Communism 32. Influences on American Proletarian Literature 443. Defining Proletarian Litearture 864. Art or Propaganda? 1295. Race, Class, and the "Negro Question" 1706. Women and the Left in the 1930s 213Part Two 7. Realism and Didacticism in Proletarian Fiction 2498. The Proletarian Fictional Autobiography 2849. The Proletarian Bildungsroman 32110. The Proletarian Social Novel 36211. The Collective Novel 398Afterword 443Index 447

"Foley succeeds admirably in demonstrating that the proletarian novel is indeed worth reexamining from a variety of points of view as an essential way in which we may understand the American 1930s more accurately. This is a really important book in its field, a field wide enough to include not only literature, but history and politics."-Walter Rideout, University of Wisconsin, Madison "[Foley] substantially refutes the received wisdom that writers within the Communist Party and its periphery produced a degraded, politically compromised body of work because they followed a formula dictated from the party leadership. I cannot imagine anyone interested in politics and literature not taking this book as required reading. It will also be of great interest to American Studies, Cultural Studies and historians and sociologists of culture."-Stanley Aronowitz, CUNY Graduate Center

Barbara Foley is Associate Professor of English at Rutgers University, Newark Campus.

• Preface viiPart One 1. The Legacy of Anti-Communism 32. Influences on American Proletarian Literature 443. Defining Proletarian Litearture 864. Art or Propaganda? 1295. Race, Class, and the "Negro Question" 1706. Women and the Left in the 1930s 213Part Two 7. Realism and Didacticism in Proletarian Fiction 2498. The Proletarian Fictional Autobiography 2849. The Proletarian Bildungsroman 32110. The Proletarian Social Novel 36211. The Collective Novel 398Afterword 443Index 447

"Foley succeeds admirably in demonstrating that the proletarian novel is indeed worth reexamining from a variety of points of view as an essential way in which we may understand the American 1930s more accurately. This is a really important book in its field, a field wide enough to include not only literature, but history and politics."-Walter Rideout, University of Wisconsin, Madison "[Foley] substantially refutes the received wisdom that writers within the Communist Party and its periphery produced a degraded, politically compromised body of work because they followed a formula dictated from the party leadership. I cannot imagine anyone interested in politics and literature not taking this book as required reading. It will also be of great interest to American Studies, Cultural Studies and historians and sociologists of culture."-Stanley Aronowitz, CUNY Graduate Center