Oxford Studies in Music Theory – serie

A Blaze of Light in Every Word

Analyzing the Popular Singing Voice

A Blaze of Light in Every Word

Analyzing the Popular Singing Voice

Enacting Musical Time

The Bodily Experience of New Music

Music as Discourse

Semiotic Adventures in Romantic Music

Songs in Motion

Rhythm and Meter in the German Lied

Tonality and Transformation

Pieces of Tradition

An Analysis of Contemporary Tonal Music

Exploring Musical Spaces

A Synthesis of Mathematical Approaches

In the Process of Becoming

Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music

Music at Hand

Instruments, Bodies, and Cognition

Performing Knowledge

Twentieth-Century Music in Analysis and Performance

Foundations of Musical Grammar

Flow

The Rhythmic Voice in Rap Music

Organized Time

Rhythm, Tonality, and Form

Hearing Homophony

Tonal Expectation at the Turn of the Seventeenth Century

Beating Time & Measuring Music in the Early Modern Era

Sweet Thing

The History and Musical Structure of a Shared American Vernacular Form

Desire in Chromatic Harmony

A Psychodynamic Exploration of Fin de Siècle Tonality

Form as Harmony in Rock Music

Form as Harmony in Rock Music

In the Process of Becoming

Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music

Studies in Music with Text

A Geometry of Music

Harmony and Counterpoint in the Extended Common Practice

Songs in Motion

Rhythm and Meter in the German Lied

Tonality and Transformation

Metric Manipulations in Haydn and Mozart

Chamber Music for Strings, 1787-1791

Studies in Music with Text

How Sonata Forms

A Bottom-Up Approach to Musical Form

Organized Time

Rhythm, Tonality, and Form