Musical Meaning and Interpretation – serie

Music and Narrative Since 1900

Breaking Time's Arrow

Experiment and Expression in the Music of Charles Ives

Sonata Fragments

Romantic Narratives in Chopin, Schumann, and Brahms

Sonata Fragments

Romantic Narratives in Chopin, Schumann, and Brahms

Allusion As Narrative Premise in Brahms's Instrumental Music

Allusion As Narrative Premise in Brahms's Instrumental Music

Visualizing Music

Schubert's Instrumental Music and Poetics of Interpretation

Schubert's Instrumental Music and Poetics of Interpretation

Pastoral in Charles Griffes's Music

Aesthetic of Ambivalence

Pastoral in Charles Griffes's Music

Aesthetic of Ambivalence

Musical Meaning in Beethoven

Markedness, Correlation, and Interpretation

Neil Young and the Poetics of Energy

Voicing Gender

Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera

Deepening Musical Performance Through Movement

The Theory and Practice of Embodied Interpretation

Reflections on Musical Meaning and Its Representations

Is Language a Music?

Writings on Musical Form and Signification

Musical Representations, Subjects, and Objects

The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber

Intertextuality in Western Art Music

Musical Topic

Hunt, Military and Pastoral

Approaches to Meaning in Music

Pleasure and Meaning in the Classical Symphony

Debussy's Late Style

Il Trittico, Turandot, and Puccini's Late Style