Horror Studies – serie

Re-envisaging the First Age of Cinematic Horror, 1896-1934

Quanta of Fear

Videogames and Horror

From Amnesia to Zombies, Run!

Horror and Religion

New Literary Approaches to Theology, Race and Sexuality

New Blood

Critical Approaches to Contemporary Horror

Stephen King and American Politics

Global TV Horror

Transnationalism and Genre Hybridity in New British Horror Cinema

Theatre and the Macabre

Theorising the Contemporary Zombie

Contextual Pasts, Presents, and Futures

Blumhouse Productions

The New House of Horror

Witchcraft and Adolescence in American Popular Culture

Teen Witches

Folk Horror

New Global Pathways

House of Horrors

Familial Intimacies in Contemporary American Horror Fiction

Queer for Fear

Horror Film and the Queer Spectator

Horror in Classical Literature

‘On a Profound and Elementary Principle'

Horror and Comics

Games of Terror

Halloween, Friday the 13th and the Films of the Stalker Cycle

Beyond the Lesbian Vampire

Reclaiming the Violent Lesbian in Contemporary Queer Horror

Zombies in Contemporary Culture

Journeys, Bodies, Pandemics and Politics

Queer for Fear

Horror Film and the Queer Spectator

Urban Legends

and the Cultural Geography of Horror

Demon Possession and Sexual Violence in Post-Great Recession American Horror Cinema

Baltic Horror in film, gaming and literature

Horror and Disability

Representations of Disability in Twenty-First-Century Film and Television

Beyond the Lesbian Vampire

Reclaiming the Violent Lesbian in Contemporary Queer Horror

Horror Spoofs and Parodies

Dying of Laughter

New Queer Horror Film and Television

Embodying Contagion

The Viropolitics of Horror and Desire in Contemporary Discourse