Eleanor Beal is Associate Lecturer in Film and Literature at Manchester Metropolitan University. She is on the editorial board of the Dark Arts Journal, and is author of the monograph Post-Secular Gothic: Disenchantment and Re-enchantment in Contemporary Gothic Fictions.Jonathan Greenaway is Associate Lecturer in Film and Literature at Manchester Metropolitan University. He is co-founder and editor of the Dark Arts Journal, and is author of the monograph Theology, Horror, and Fiction: A Reading of the Gothic Nineteenth Century.

• AcknowledgementsNotes on ContributorsIntroduction1. ‘Headlong into an Immense Abyss’: Horror and Calvinism in Scotland and the United States - Neil Syme2. The Blood is the Life: An Exploration of the Vampire’s Jewish Shadow - Mary Going3. Decadent Horror Fiction and Fin-de-Siècle Neo-Thomism - Zoë Lehmann Imfeld4. ‘Let the Queer One in’: The Performance of the Holy, Innocent and Monstrous Body in Vampire Fiction - Rachel Mann5. More or Less Human, or Less is More Humane?: Monsters, Cyborgs and Technological (Ex)tensions of Edenic Bodies - Scott Midson6. Horror and the Death of God - Simon Marsden7. Aboriginal Ghosts, Sacred Cannibals and the Pagan Christ: Consuming the Past as Salvation in Wilson Harris’s Jonestown - Eleanor Beal8. Reconfiguring Gothic Anti-Catholicism: Faith and Folk-Horror in the Work of Andrew Michael Hurley - Jonathan Greenaway9. ‘Deliver Us from Evil’: David Mitchell, Repetition and Redemption - Andrew TateBibliographyIndex

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Eleanor Beal is Associate Lecturer in Film and Literature at Manchester Metropolitan University. She is on the editorial board of the Dark Arts Journal, and is author of the monograph Post-Secular Gothic: Disenchantment and Re-enchantment in Contemporary Gothic Fictions.Jonathan Greenaway is Associate Lecturer in Film and Literature at Manchester Metropolitan University. He is co-founder and editor of the Dark Arts Journal, and is author of the monograph Theology, Horror, and Fiction: A Reading of the Gothic Nineteenth Century.

• AcknowledgementsNotes on ContributorsIntroduction1. ‘Headlong into an Immense Abyss’: Horror and Calvinism in Scotland and the United States - Neil Syme2. The Blood is the Life: An Exploration of the Vampire’s Jewish Shadow - Mary Going3. Decadent Horror Fiction and Fin-de-Siècle Neo-Thomism - Zoë Lehmann Imfeld4. ‘Let the Queer One in’: The Performance of the Holy, Innocent and Monstrous Body in Vampire Fiction - Rachel Mann5. More or Less Human, or Less is More Humane?: Monsters, Cyborgs and Technological (Ex)tensions of Edenic Bodies - Scott Midson6. Horror and the Death of God - Simon Marsden7. Aboriginal Ghosts, Sacred Cannibals and the Pagan Christ: Consuming the Past as Salvation in Wilson Harris’s Jonestown - Eleanor Beal8. Reconfiguring Gothic Anti-Catholicism: Faith and Folk-Horror in the Work of Andrew Michael Hurley - Jonathan Greenaway9. ‘Deliver Us from Evil’: David Mitchell, Repetition and Redemption - Andrew TateBibliographyIndex

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Eleanor Beal is Associate Lecturer in Film and Literature at Manchester Metropolitan University. She is on the editorial board of the Dark Arts Journal, and is author of the monograph Post-Secular Gothic: Disenchantment and Re-enchantment in Contemporary Gothic Fictions.Jonathan Greenaway is Associate Lecturer in Film and Literature at Manchester Metropolitan University. He is co-founder and editor of the Dark Arts Journal, and is author of the monograph Theology, Horror, and Fiction: A Reading of the Gothic Nineteenth Century.

• AcknowledgementsNotes on ContributorsIntroduction1. ‘Headlong into an Immense Abyss’: Horror and Calvinism in Scotland and the United States - Neil Syme2. The Blood is the Life: An Exploration of the Vampire’s Jewish Shadow - Mary Going3. Decadent Horror Fiction and Fin-de-Siècle Neo-Thomism - Zoë Lehmann Imfeld4. ‘Let the Queer One in’: The Performance of the Holy, Innocent and Monstrous Body in Vampire Fiction - Rachel Mann5. More or Less Human, or Less is More Humane?: Monsters, Cyborgs and Technological (Ex)tensions of Edenic Bodies - Scott Midson6. Horror and the Death of God - Simon Marsden7. Aboriginal Ghosts, Sacred Cannibals and the Pagan Christ: Consuming the Past as Salvation in Wilson Harris’s Jonestown - Eleanor Beal8. Reconfiguring Gothic Anti-Catholicism: Faith and Folk-Horror in the Work of Andrew Michael Hurley - Jonathan Greenaway9. ‘Deliver Us from Evil’: David Mitchell, Repetition and Redemption - Andrew TateBibliographyIndex

Select Guide Rating