Film Culture in Transition – serie

Revolution for the Screen

Abel Gance's Napoleon

Beyond the Essay Film

Subjectivity, Textuality and Technology

Cine-Dispositives

Essays in Epistemology Across Media

Cinema and Narrative Complexity

Embodying the Fabula

Color and Empathy

Essays on Two Aspects of Film

Danièle Huillet, Jean-Marie Straub

Objectivists in Cinema

Disaster Cinema in Historical Perspective

Mediations of the Sublime

Ephemeral Cinema Spaces

Stories of Reinvention, Resistance and Community

Epistolary Entanglements in Film, Media and the Visual Arts

Film Festivals

From European Geopolitics to Global Cinephilia

Film Phenomenology and Adaptation

Sensuous Elaboration

Film Serials and the American Cinema, 1910-1940

Operational Detection

Film Societies in Germany and Austria 1910-1933

Tracing the Social Life of Cinema

Films That Work Harder

The Circulation of Industrial Film

Finance and the World Economy in Weimar Cinema

Futurist Cinema

Studies on Italian Avant-garde Film

German Cinema in the Age of Neoliberalism

Hands on Film

Actants, Aesthetics, Affects

Hollywood in Cannes

The History of a Love-Hate Relationship

Hollywood is Everywhere

Global Directors in the Blockbuster Era

How Film Histories Were Made

Materials, Methods, Discourses

Improvising Cinema

Labour in a Single Shot

Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project

Late Bresson and the Visual Arts

Cinema, Painting and Avant-Garde Experiment

LGBTQ Film Festivals

Curating Queerness

Melodrama After the Tears

New Perspectives on the Politics of Victimhood

Modern Ghost Melodramas

'What Lies Beneath'

Moving Pictures and Renaissance Art History

Mysteries of Cinema

Reflections on Film Theory, History and Culture 1982-2016