Critical Asian Cinemas – serie

Japanese Filmmakers in the Wake of Fukushima

Perspectives on Nuclear Disasters

Korean Cinema in Global Contexts

Post-Colonial Phantom, Blockbuster and Trans-Cinema

Postcolonial Hangups in Southeast Asian Cinema

Poetics of Space, Sound, and Stability

Remapping the Cold War in Asian Cinemas

Wang Bing's Filmmaking of the China Dream

Narratives, Witnesses and Marginal Spaces

Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era

Intimate Violence of South Korean and Japanese Cinema

Representations of Japan in South Korean Cinema of the Park Geun-hye Era

Invaders, Lovers and Demons

Chinese Women’s Cinema Through a Feminist Lens

Animist Imagination in East Asian Cinema

Evolution of Chinese Popular Cinema

Baokuan Film Phenomena under Nationalism, Globalization, and Active Audiences

Transformative Cinema of Lav Diaz

Aesthetics, Resistance and Resilience

Wang Bing's Filmmaking of the China Dream

Narratives, Witnesses and Marginal Spaces

Postcolonial Hangups in Southeast Asian Cinema

Poetics of Space, Sound, and Stability

Chinese Independent Cinema

Past, Present, and a Questionable Future

Remapping the Cold War in Asian Cinemas

Japanese Filmmakers in the Wake of Fukushima

Perspectives on Nuclear Disasters

Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era