Gina Marchetti serves as Chair of Humanities and Media Studies, Pratt Institute. Her books include Romance and the “Yellow Peril”: Race, Sex and Discursive Strategies in Hollywood Fiction (California, 1993) and Citing China: Politics, Postmodernism, and World Cinema (Hawai’i, 2018).

• Acknowledgements, Note on Romanization, 1. Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema, 2. The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013), 3. The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017), 4. A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018), 5. The Queer Gaze Across the Gay-Straight Generational Divide: Small Talk (2017) and A Dog Barking at the Moon (2019), 6. The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020), 7. Oppositional Optics: The View from Hong Kong, 8. From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013), 9. Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019), 10. Conclusion: The View from the Chinese Diaspora in The Farewell (2019), Filmography, Bibliography, Index.