Contributions in Drama and Theatre Studies – serie

Gordon Craig's Moscow Hamlet

A Reconstruction

German Actors of the Eighteenth and Nineteenth Centuries

Idealism, Romanticism, and Realism

Theatre of Meyerhold and Brecht

Hamlet on Stage

The Great Tradition

Simple Stage

Its Origins in the Modern American Theater

Spotlight on the Child

Studies in the History of American Children's Theatre

Richard's Himself Again

A Stage History of Richard III

Eugene O'Neill's Century

Centennial Views on America's Foremost Tragic Dramatist

Orson Welles on Shakespeare

The W.P.A. and Mercury Theatre Playscripts

Age of Hair

Evolution and Impact of Broadway's First Rock Musical

From Belasco to Brook

Representative Directors of the English-Speaking Stage

Strategies of Drama

The Experience of Form

Where the Words Are Valid

T.S. Eliot's Communities of Drama

Toward an Aesthetics of the Puppet

Puppetry as a Theatrical Art

Yiddish Proletarian Theatre

The Art and Politics of the Artef, 1925-1940

Fredric March

Craftsman First, Star Second

Thatcher's Theatre

British Theatre and Drama in the Eighties

Comedy in the Weimar Republic

A Chronicle of Incongruous Laughter

Contemporary British History Play

Dramatists and the Bomb

American and British Playwrights Confront the Nuclear Age, 1945-1964

Shakespearean Intertextuality

Studies in Selected Sources and Plays

Reinventing Drama

Acting, Iconicity, Performance

Shakespeare's Unorthodox Biography

New Evidence of an Authorship Problem

Actor as Anti-Character

Dionysus, the Devil, and the Boy Rosalind

Audience Participation

Essays on Inclusion in Performance

Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994

Best Actors in the World

Shakespeare and His Acting Company