Cognitive Studies in Literature and Performance – serie

Performance, Cognitive Theory, and Devotional Culture

Sensual Piety in Late Medieval York

Shakespearean Neuroplay

Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science

Cognition in the Globe

Attention and Memory in Shakespeare’s Theatre

Evolving Hamlet

Seventeenth-Century English Tragedy and the Ethics of Natural Selection

Engaging Audiences

A Cognitive Approach to Spectating in the Theatre

Trusting Performance

A Cognitive Approach to Embodiment in Drama

Literature, Science, and a New Humanities

Literature, Science, and a New Humanities

Engaging Audiences

A Cognitive Approach to Spectating in the Theatre

Public Intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois

Emotional Dimensions of Race and Reform

Graphing Jane Austen

The Evolutionary Basis of Literary Meaning

Theatre/Ecology/Cognition

Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

Cognitive Approach to John Donne’s Songs and Sonnets

Bewitched and Bedeviled

A Cognitive Approach to Embodiment in Early English Possession

Shakespeare and Consciousness

Performance, Cognitive Theory, and Devotional Culture

Sensual Piety in Late Medieval York

Shakespearean Neuroplay

Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science

Cognition in the Globe

Attention and Memory in Shakespeare’s Theatre

Evolving Hamlet

Seventeenth-Century English Tragedy and the Ethics of Natural Selection

Public Intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois

Emotional Dimensions of Race and Reform

Graphing Jane Austen

The Evolutionary Basis of Literary Meaning

Theatre/Ecology/Cognition

Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

Cognitive Approach to John Donne’s Songs and Sonnets

Shakespeare and Consciousness

Cognition, Mindreading, and Shakespeare's Characters

Enacting Lecoq

Movement in Theatre, Cognition, and Life

Kinesthetic Spectatorship in the Theatre

Phenomenology, Cognition, Movement

Cognitive Joyce

Kinaesthesia and Visual Self-Reflection in Contemporary Dance