Bloomsbury Studies in Classical Reception – serie

Hippocrates Now

The ‘Father of Medicine’ in the Internet Age

Faulkner’s Reception of Apuleius’ The Golden Ass in The Reivers

Ancient Magic and the Supernatural in the Modern Visual and Performing Arts

Homer’s Iliad and the Trojan War

Dialogues on Tradition

Classics in Extremis

The Edges of Classical Reception

Greek and Roman Classics in the British Struggle for Social Reform

Antipodean Antiquities

Classical Reception Down Under

Victorian Epic Burlesques

A Critical Anthology of Nineteenth-Century Theatrical Entertainments after Homer

Reading Poetry, Writing Genre

English Poetry and Literary Criticism in Dialogue with Classical Scholarship

Classics in Modernist Translation

Sex, Symbolists and the Greek Body

Codex Fori Mussolini

A Latin Text of Italian Fascism

Frankenstein and Its Classics

The Modern Prometheus from Antiquity to Science Fiction

Frankenstein and Its Classics

The Modern Prometheus from Antiquity to Science Fiction

Gentle, Jealous God

Reading Euripides' Bacchae in English

Once and Future Antiquities in Science Fiction and Fantasy

Once and Future Antiquities in Science Fiction and Fantasy

Translations of Greek Tragedy in the Work of Ezra Pound

Performing Gods in Classical Antiquity and the Age of Shakespeare

Sappho and Catullus in Twentieth-Century Italian and North American Poetry

Julius Caesar's Self-Created Image and Its Dramatic Afterlife

Thucydidean Turn

(Re)Interpreting Thucydides’ Political Thought Before, During and After the Great War

Greeks and Romans on the Latin American Stage

Homer’s Iliad and the Trojan War

Dialogues on Tradition

Kinaesthesia and Classical Antiquity 1750–1820

Moved by Stone

Virgil’s Map

Geography, Empire, and the Georgics

Victorian Epic Burlesques

A Critical Anthology of Nineteenth-Century Theatrical Entertainments after Homer

Classics in Extremis

The Edges of Classical Reception

Classics in South America

Five Case Studies