Greeks and Romans on the Latin American Stage

Rosa Andújar is Deputy Director of Liberal Arts and Lecturer in Liberal Arts at King’s College London, UK.Konstantinos P. Nikoloutsos is Associate Professor of Classics at Saint Joseph’s University, USA.

• Acknowledgements List of IllustrationsNotes on Contributors1. Staging the European Classical in ‘Latin’ America: An Introduction Rosa Andújar, King's College London, UK and Konstantinos Nikoloutsos, Saint Joseph’s University, USAI. Southern Cone2. From Epic to Tragedy: Theatre and Politics in Juan Cruz Varela’s Dido Konstantinos P. Nikoloutsos, Saint Joseph’s University, USA 3. Leopoldo Marechal’s Antígona Vélez: Rewriting Greek Tragedy as a Foundation Myth in Peronist Argentina Brenda López Saiz, University of Chile, Chile4. Juan Radrigán’s Medea Mapuche: Recreating Euripides’ Revenge Tragedy in an Indigenous Chilean Context Irmtrud König, University of Chile, Chile5. Philoctetes and Medea in Contemporary Chilean Theatre Carolina Brncic, University of Chile, ChileII. Brazil6. A God Slept Here by Guilherme Figueiredo: A Radical Modernist Amphitruo from Brazil Rodrigo Tadeu Gonçalves, University of Paraná, Brazil7. Guilherme Figueiredo, Amphitryon, and the Widow of Ephesus: Linking Plautus and Petronius Tiziana Ragno, University of Foggia, Italy8. Electra’s Turn to the Dark Side: Nelson Rodrigues’ Senhora dos Afogados Anastasia Bakogianni, Massey University, New Zealand 9. Becoming Antigone: The Classics as a Model of Resistance in Jorge Andrade’s Pedreira das Almas Seth A. Jeppesen, Brigham Young University, USAIII. The Caribbean and North America 10. Distorting the Lysistrata Paradigm in Puerto Rico: Francisco Arriví’s Club de Solteros Rosa Andújar, King's College London, UK 11. Challenging the Canon in the Dominican Republic: Lisístrata odia la política by Franklin Domínguez Katherine Ford, East Carolina University, USA12. Aeschylus and the Cuban Counter-Revolution Jacques Bromberg, University of Pittsburgh, USA13. The Contest between Créolité and Classics in Patrick Chamoiseau’s Stage Plays Justine McConnell, King's College London, UK 14. Dismantling the Anthropological Machine: Feliks Moriso-Lewa’s Antigòn and Luis Alfaro’s Electricidad Tom Hawkins, Ohio State University, USA 15. Antigone Undead: Tragedy and Biopolitics in Perla de la Rosa’s Antígona: las voces que incendian el desierto Jesse Weiner, Hamilton College, USANotesBibliographyIndex

Greeks and Romans on the Latin American Stage is a fine addition to Bloomsbury’s Studies in Classical Reception collection … It shows that Latin America is a region that Anglophone scholarship can no longer afford to overlook, and throws down an impressive gauntlet for scholars in the field to begin wrestling with the reception of antiquity on the Latin American stage.