Ashgate Studies in Theory and Analysis of Music After 1900 – serie

Compositional Process in Elliott Carter’s String Quartets

A Study in Sketches

Concepts of Time in Post-War European Music

György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque

Heitor Villa-Lobos’s Bachianas Brasileiras

Intertextuality and Stylization

Concepts of Time in Post-War European Music

Critical Perspectives on Michael Finnissy

Bright Futures, Dark Pasts

War and Death in the Music of George Crumb

A Crisis of Collective Memory

War and Death in the Music of George Crumb

A Crisis of Collective Memory

Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg

Compositional Process in Elliott Carter’s String Quartets

A Study in Sketches

Heitor Villa-Lobos’s Bachianas Brasileiras

Intertextuality and Stylization

Musics with and after Tonality

Mining the Gap

Music of Pavel Haas

Analytical and Hermeneutical Studies

John Zorn’s File Card Works

Hypertextual Intermediality in Composition and Analysis

John Zorn’s File Card Works

Hypertextual Intermediality in Composition and Analysis

Pierre Boulez’s sur Incises and its World

Work of Karlheinz Stockhausen Volume 1

Serial Music

Work of Karlheinz Stockhausen Volume 2

Intuitive Music

Work of Karlheinz Stockhausen Volume 3

Music by Formulas

Pierre Boulez’s sur Incises and its World

Structural Multistabilities and Listening Experiences in Minimalist Music

Perspectives on Greek Musical Modernism

Perspectives on Greek Musical Modernism

Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg

Musics with and after Tonality

Mining the Gap

Music of Pavel Haas

Analytical and Hermeneutical Studies

Critical Perspectives on Michael Finnissy

Bright Futures, Dark Pasts