Anglo-Italian Renaissance Studies – serie

Theatre, Magic and Philosophy

William Shakespeare, John Dee and the Italian Legacy

Shakespeare’s Ruins and Myth of Rome

Shakespeare's Poetics

Aristotle and Anglo-Italian Renaissance Genres

Shakespeare and the Visual Arts

The Italian Influence

Shakespeare and the Italian Renaissance

Appropriation, Transformation, Opposition

Machiavelli in the British Isles

Two Early Modern Translations of The Prince

Visions of Venice in Shakespeare

Italian Culture in the Drama of Shakespeare and His Contemporaries

Rewriting, Remaking, Refashioning

Shakespeare, Politics, and Italy

Intertextuality on the Jacobean Stage

Bibliographical Catalogue of Italian Books Printed in England 1558–1603

Shakespeare Among the Courtesans

Prostitution, Literature, and Drama, 1500-1650

Old Age, Masculinity, and Early Modern Drama

Comic Elders on the Italian and Shakespearean Stage

Shakespeare and Venice

Translating Women in Early Modern England

Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso

Identity, Otherness and Empire in Shakespeare's Rome

Machiavelli in the British Isles

Two Early Modern Translations of The Prince

Shakespeare, Caravaggio, and the Indistinct Regard

Pollastra and the Origins of Twelfth Night

Parthenio, commedia (1516) with an English Translation

Shakespeare, Caravaggio, and the Indistinct Regard

Bibliographical Catalogue of Italian Books Printed in England 1603–1642

Bibliographical Catalogue of Italian Books Printed in England 1558–1603

Shakespeare’s Ruins and Myth of Rome

Revisiting Shakespeare’s Italian Resources

Memory and Reuse

Revisiting Shakespeare’s Italian Resources

Memory and Reuse

Allegory of Love in the Early Renaissance

Francesco Colonna’s Hypnerotomachia Poliphili and its European Context

Allegory of Love in the Early Renaissance

Francesco Colonna’s Hypnerotomachia Poliphili and its European Context

Massinger’s Italy

Re-Imagining Italian Culture in the Plays of Philip Massinger

Massinger’s Italy

Re-Imagining Italian Culture in the Plays of Philip Massinger

Medieval Teachers of Freedom

Boethius, Peter Lombard and Aquinas on Creation from Nothing