Asia-Pacific: Culture, Politics, and Society – serie

Coed Revolution

The Female Student in the Japanese New Left

Remixing Wong Kar-wai

Music, Bricolage, and the Aesthetics of Oblivion

Global/Local

Cultural Production and the Transnational Imaginary

Global/Local

Cultural Production and the Transnational Imaginary

Borders of Chinese Civilization

Geography and History at Empire's End

Borders of Chinese Civilization

Geography and History at Empire's End

Phantasmatic Indochina

French Colonial Ideology in Architecture, Film, and Literature

Civilization and Monsters

Spirits of Modernity in Meiji Japan

Uncovering Heian Japan

An Archaeology of Sensation and Inscription

Kurosawa

Film Studies and Japanese Cinema

Modern Chinese Literary and Cultural Studies in the Age of Theory

Reimagining a Field

Women on the Verge

Japanese Women, Western Dreams

Learning Places

The Afterlives of Area Studies

Staging the World

Chinese Nationalism at the Turn of the Twentieth Century

Staging the World

Chinese Nationalism at the Turn of the Twentieth Century

Parallax Visions

Making Sense of American-East Asian Relations at the End of the Century

Flash of Capital

Film and Geopolitics in Japan

Postcolonial Vietnam

New Histories of the National Past

Memoirs from the Beijing Film Academy

The Genesis of China's Fifth Generation

Chinese Reportage

The Aesthetics of Historical Experience

New Japanese Woman

Modernity, Media, and Women in Interwar Japan

Before the Nation

Kokugaku and the Imagining of Community in Early Modern Japan

Before the Nation

Kokugaku and the Imagining of Community in Early Modern Japan

Gender and National Literature

Heian Texts in the Constructions of Japanese Modernity

Remasculinization of Korean Cinema

Text and the City

Essays on Japanese Modernity

Policing Chinese Politics

A History

Two Dreams in One Bed

Empire, Social Life, and the Origins of the North Korean Revolution in Manchuria

Japan After Japan

Social and Cultural Life from the Recessionary 1990s to the Present