Early Drama, Art, and Music Monograph – serie

Shakespeare's Play Within Play

Medieval Imagery and Scenic Form in Hamlet, Othello, and King Lear

Holy Week and Easter Ceremonies and Dramas from Medieval Sweden

Holy Week and Easter Ceremonies and Dramas from Medieval Sweden

Studies in Fifteenth-Century Stagecraft

Crossing the Boundaries

Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities

Illustrations of the Stage and Acting in England to 1580

Word, Picture, and Spectacle

Homo, Memento Finis

The Iconography of Just Judgement in Medieval Art and Drama

Fleury Playbook

Essays and Studies

Saint Play in Medieval Europe

Idea of Music

An Introduction to Musical Aesthetics in Antiquity and the Middle Ages

Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages

Iconoclasm vs. Art and Drama

Play about the Antichrist (Ludus de Antichristo)

A Dramaturgical Analysis, Historical Commentary, and Latin Edition with a New English Verse Translation

Material Culture and Medieval Drama

Gesture in Medieval Drama and Art

Paying the Piper

Music in Pre-1642 Cheshire

Paying the Piper

Music in Pre-1642 Cheshire

Improvisation in the Arts of the Middle Ages and Renaissance

Worlde and the Chylde

Coventry Corpus Christi Plays

Tretise of Miraclis Pleyinge

Mary of Nemmegen

The ca. 1518 Translation and the Middle Dutch Analogue, Mariken van Nieumeghen

Liturgical Drama and the Reimagining of Medieval Theater

Jeu d'Adam

MS Tours 927 and the Provenance of the Play

Drama and Sermon in Late Medieval England

Performance, Authority, Devotion

From the Romans to the Normans on the English Renaissance Stage

Corporeality of Clothing in Medieval Literature

Cognition, Kinesis, and the Sacred

Early Drama, Art, and Music Documents

A Paleography Handbook